03157nam 2200529 450 991079691490332120230617034410.01-4742-4297-9(CKB)3710000000371840(EBL)1983221(SSID)ssj0001468831(PQKBManifestationID)11843801(PQKBTitleCode)TC0001468831(PQKBWorkID)11525702(PQKB)11180270(MiAaPQ)EBC1983221(EXLCZ)99371000000037184020150319h20032003 uy 0engur|n|---|||||txtccrIn Arden editing Shakespeare essays in honour of Richard Proudfoot /edited by Ann Thompson and Gordon McMullanLondon, [England] :Bloomsbury Arden Shakespeare,2003.©20031 online resource (314 p.)Arden ShakespeareIncludes index.1-336-21253-5 1-904271-31-6 Cover; Half-title; Series; Title; Copyright; Contents; List of contributors; Introduction; PART I: BIBLIOGRAPHY/THEORY OF EDITING; 1 Shakespeares various; 2 The continuing importance of New Bibliography; 3 Correct impressions: editing and evidence in the wake of post-modernism; 4 Early play texts: forms and formes; PART II: EDITING AND FEMINISM; 5 'To foster is not always to preserve': feminist inflections in editing Pericles; 6 Editing Desdemona; 7 Who is performing 'in' these text(s)?; or, Shrew-ing around; PART III: EDITING AND STAGE PRACTICE; 8 To edit? To direct? - Ay, there's the rub9 Raw flesh/lion's flesh: a cautionary note on stage directions10 Reading in the moment: theatre practice as a guide to textual editing; 11 Annotating silence; PART IV: ANNOTATION AND COLLATION; 12 The social function of annotation; 13 The character of a footnote . . . or, annotation revisited; 14 To be or not to be; 15 Richly noted: a case for collation inflation; PART V: THE PLAYWRIGHT AND OTHERS; 16 Sources and cruces; 17 Topical forest: Kemp and Mar-text in Arden; 18 Some call him Autolycus; Appendix; IndexA collection of new and specially commissioned essays by an eminent team of Shakespeare scholars, focusing on the particular issues relating to the editing of Shakespeare and other Renaissance texts. The editing of dramatic and other literary texts has always been an important aspect of literary studies. In recent years, editing and the theoretical frameworks that underlie editing practices have become a lively and controversial focus of debate, sparked both by philosophical discussions on 'the death of the author' and by the technological challenges presented by the possibilities of electroniArden Shakespeare (Critical studies)DramaEditingDramaEditing.822.33Thompson AnnMcMullan GordonMiAaPQMiAaPQMiAaPQBOOK9910796914903321In Arden3832494UNINA