03512nam 22006015 450 991079686370332120191221113333.00-8135-8916-90-8135-8917-710.36019/9780813589176(CKB)4100000004820848(OCoLC)999672121(MdBmJHUP)muse60309(MiAaPQ)EBC5399056(DE-B1597)526338(DE-B1597)9780813589176(PPN)234835389(EXLCZ)99410000000482084820191221d2018 fg engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierThe Limits of Auteurism Case Studies in the Critically Constructed New Hollywood /Nicholas GodfreyNew Brunswick, NJ : Rutgers University Press, [2018]©20181 online resource0-8135-8915-0 Includes filmography.Includes bibliographical references and index.Frontmatter -- Contents -- Note on the Text -- Introduction: Open Roads -- 1. Which New Hollywood? -- 2. Easy Rider -- Part I: Variations on a Theme: Five Easy Riders -- 3. Five Easy Pieces -- 4. Two-Lane Blacktop -- 5. Vanishing Point -- 6. Little Fauss and Big Halsy -- 7. Adam at 6 A.M. -- Part II: Politicizing Genre -- 8. Dirty Harry -- 9. The French Connection -- Part III: The Limits of Auteurism -- 10. The Last Movie -- 11. The Hired Hand -- Conclusion: The End of the Road -- Acknowledgments -- Filmography -- Notes -- Bibliography -- IndexThe New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film's twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production. Motion picturesUnited StatesHistory20th centuryAuteur theory (Motion pictures)Electronic books. 1960s.1970s.Hollywood.auteurism.commercial cinema.motion picture.movies.Motion picturesHistoryAuteur theory (Motion pictures)791.4302/3301Godfrey Nicholas, authttp://id.loc.gov/vocabulary/relators/aut.1583688DE-B1597DE-B1597BOOK9910796863703321The Limits of Auteurism3867035UNINA