01868nam 2200565zu 450 991049316570332120210721060238.01-57181-874-X(CKB)2560000000322263(SSID)ssj0001235167(PQKBManifestationID)12457947(PQKBTitleCode)TC0001235167(PQKBWorkID)11223346(PQKB)10414706(MiAaPQ)EBC6144713(EXLCZ)99256000000032226320160829d1997 uy engtxtccrThe last Shaman--change in an Amazonian community[Place of publication not identified]Berghahn Books1997The Arakmbut of Amazonian Peru The last Shaman--change in an Amazonian community Bibliographic Level Mode of Issuance: MonographMashco IndiansSocial conditionsPeruSan Josâe del KareneMashco IndiansReligionPeruSan Josâe del KareneMashco mythologyPeruSan Josâe del KareneShamanismSocial changeGold mines and miningRegions & Countries - AmericasHILCCHistory & ArchaeologyHILCCLatin AmericaHILCCMashco IndiansSocial conditionsMashco IndiansReligionMashco mythologyShamanismSocial changeGold mines and miningRegions & Countries - AmericasHistory & ArchaeologyLatin America306/.089/983Gray Andrew2572PQKBBOOK9910493165703321The last Shaman--change in an Amazonian community2445730UNINA03498nam 2200553 450 991079678660332120230814221931.090-04-35613-410.1163/9789004356139(CKB)4100000002636639(MiAaPQ)EBC5331693(OCoLC)1030308971(nllekb)BRILL9789004356139(Au-PeEL)EBL5331693(CaPaEBR)ebr11535369(OCoLC)1030821002(EXLCZ)99410000000263663920180420d2018 uy 0gerurcnu||||||||txtrdacontentcrdamediacrrdacarrier'Ali Qoli Jebadar et l'occidentalisme safavide une etude sur les peintures dites farangi sazi, leurs milieux et commanditaires sous Shāh Soleiman (1666-94) /par Negar HabibiLeiden ;Boston :Brill,[2018]©20181 online resource (xiv, 207 pages) color illustrations, portraitsStudies in Persian Cultural History,2210-3554 ;Volume 13Updated version of the author's thesis (doctoral--Université de droit, d'économie et des sciences d'Aix-Marseille, 2014) under the title: Le farangi sāzi et les peintures de ʻAli Qoli Jebādār.90-04-35587-1 Includes bibliographical references (pages 178-203) and index.Front Matter -- Copyright page -- -- Remerciements -- Transcription du persan -- Liste des abréviations dans les notes -- Liste des illustrations et crédits photos -- Introduction -- ʿAli Qoli Jebādār : l’artiste aux titres royaux1 -- Farangi sāzi? Une considération sur les peintures occidentalistes safavides -- L’État de Shāh SoleimānShāh Soleimān : l’historique des centres du pouvoir safavide entre 1666 et 1694 -- Le mécénat artistique à la cour de Shāh Soleimān : Le syncrétisme artistique des peintures de ʿAli Qoli JebādārʿAli Qoli Jebādār -- Conclusion générale.In 'ʻAli Qoli Jebadar et l'occidentalisme Safavide' Negar Habibi provides a fresh account of the life and works of ʻAli Qoli Jebadar, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of 'Ali Qoli Jebadar's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sazi, while suggesting the use of the term "Occidentalism" for those Safavid paintings that show some exotic and alien details of the Western world.Studies in Persian cultural history ;Volume 13.Art patronageIranHistory17th centuryArt and societyIranHistory17th centuryArt, SafavidThemes, motivesArt patronageHistoryArt and societyHistoryArt, SafavidThemes, motives.700.961Habibi Negar1981-1571486MiAaPQMiAaPQMiAaPQBOOK9910796786603321Ali Qoli Jebadar et l'occidentalisme safavide3845932UNINA