02237nam 2200457 450 991079671330332120230715102702.01-78320-675-6(CKB)4100000004907281(MiAaPQ)EBC7261558(Au-PeEL)EBL7261558(EXLCZ)99410000000490728120230715d2017 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierThe lived experience of improvisation in music, learning and life /Simon Rose1st ed.Bristol, England :Intellect Ltd.,[2017]©20171 online resource (237 pages)ISSN1-78320-673-X Includes bibliographical references.Improvisation is crucial to a wide range of artistic activities - most prominently, perhaps, in music, but extending to other fields of experience such as literature and pedagogy. Yet it gets short shrift in both appreciation and analysis of art within education. This is in no small part due to our tendency to view the world in fixed categories and structures that belie our ability to generate creative, groundbreaking responses within and between those structures.             The Lived Experience of Improvisation draws on an analysis of interviews with highly regarded improvisers, including Roscoe Mitchell, Pauline Oliveros and George Lewis. Simon Rose also exploits his own experience as a musician and teacher, making a compelling case for bringing back improvisation from the margins. He argues that improvisation is a pervasive aspect of being human and that it should be at the heart of our teaching and understanding of the world.ISSNImprovisation in artImprovisation in danceImprovisation in art.Improvisation in dance.781.36Rose Simon1961-1521895MiAaPQMiAaPQMiAaPQBOOK9910796713303321The lived experience of improvisation3761352UNINA