03687nam 2200601 450 991079647400332120200903223051.090-04-28364-110.1163/9789004283640(CKB)3800000000007017(EBL)1840880(SSID)ssj0001368936(PQKBManifestationID)11815592(PQKBTitleCode)TC0001368936(PQKBWorkID)11287590(PQKB)11650549(MiAaPQ)EBC1840880(nllekb)BRILL9789004283640(Au-PeEL)EBL1840880(CaPaEBR)ebr10984179(CaONFJC)MIL662270(OCoLC)896796342(PPN)184923190(EXLCZ)99380000000000701720141120h20152015 uy 0engur|n|---|||||txtccrThree early modern Hebrew scholars on the mysteries of song /by Don HarránLeiden, Netherlands :Brill,2015.©20151 online resource (404 p.)Studies in Jewish History and Culture,1568-5004 ;Volume 47Description based upon print version of record.1-322-30988-4 90-04-28302-1 Includes bibliographical references and indexes.Front Matter /Don Harrán -- Music in Hebrew Writings from the Bible to the Early Seventeenth Century /Don Harrán -- Judah Moscato on the Spirituality of Music /Don Harrán -- Sounds for Contemplation on a Lyre /Don Harrán -- Leon Modena on the Legality of Art Music in the Synagogue /Don Harrán -- Is Art Music Permissible in the Synagogue? /Don Harrán -- Abraham Portaleone on the Practice of Music in the Ancient Temple /Don Harrán -- Music as Practiced in the Temple and the Early Modern Era /Don Harrán -- The Jewish Contribution to Music Theory in the Early Modern Era /Don Harrán -- The Texts in Hebrew /Don Harrán -- Bibliography /Don Harrán -- Abbreviations and Acronyms in Hebrew /Don Harrán -- Lexicon of Hebrew Musical Terms /Don Harrán -- Indexes /Don Harrán.In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah Moscato, who, as chief rabbi in Mantua, preached sermons, one of them on music: there Moscato presents music as a cosmic and spiritual phenomenon. The second scholar is Leon Modena, the foremost Jewish intellectual in early seventeenth-century Venice. Modena deals with music in two responsa to questions put to him for rabbinical adjudication, one of them an examination of biblical and rabbinical sources on the legitimacy of performing art music in the synagogue. Abraham Portaleone, the third scholar, treated music in a massive disquisition on the Ancient Temple and its ritual, describing it as an art correlating with contemporary Italian music. The introduction surveys the development of Hebrew art music from the Bible through the Talmud and rabbinical writings until the early modern era. The epilogue defines the special contribution of Hebrew scholars to early modern theory.Studies in Jewish history and culture ;Volume 47.JewsMusicHistory and criticismJewsMusicHistory and criticism.780.89/924Harrán Don157936MiAaPQMiAaPQMiAaPQBOOK9910796474003321Three early modern Hebrew scholars on the mysteries of song3754252UNINA04777nam a2200661 i 450099100113722970753620040406095856.0010911s1772 it ||| | ita b12723770-39ule_instocm00000009ExLBiblioteca InterfacoltàitaitalatNapoli<Regno>483657Pragmaticae edicta decreta interdicta regiaeque sanctiones Regni Neapolitani /quae olim viri consultissimi collegerunt suisque titulis tribuerunt Prosper Carauita ... Fabius De Anna ... Alexander Rouitus ... Carolus Cala ... Blasius Altimarius ... Dominicus Alfenus Varius i.c. recensuit ... ; Voluminibus quatuor diuisit ... Volumen primum [- quartum]Neapoli ... :sumptibus Antonii Ceruonii,1772Napoli :Cervone, Antonio,17724 v. (XVI, 632; IV, 632; IV, 764; IV, 488, 182, p.) ;2̨ (38 cm)Comprende: Supplementum pragmaticarum edictorum decretorum interdictorum regiarumque sanctionum Regni NeapolitaniSegnatura: a-b4 A-Z4 Aa-Zz4 Aaa-Zzz4 Aaaa-Kkkk4; [c.]2 A-Z4 Aa-Zz4 Aaa-Zzz4 Aaaa-Kkkk4; [c.]2 A-Z4 Aa-Zz4 Aaa-Zzz4 Aaaa-Zzzz4 Aaaaa-Bbbbb4 Ccccc6; [c.]2 A-Z4 Aa-Zz4 Aaa-Ppp4 a-y4 z2 Aa1Testo prevalentemente in italiano, testate, capilettera, fregi, car. cors. e rom.SBN-ICCU 000549Cala, CarloCaravita, Prospero<1550fl.>D'Anna, FabioRovito, AlessandroVario, Domenico AlfenoAldimari, Biagio<1630?-1713>.b1272377016-05-2207-04-04991001137229707536LE002 Ed.Ant.-I-G-61LE002A-42803le002Volume II. - Sul front. si legge ms.: Ex libris N.G.J. Iosephi [...] Liccheti-E0.00-no 00000.i1325182x07-04-04LE027 F/A I H 20V. 11le027pE500.00-no 00000.i1474697908-05-08LE027 F/A I H 20V. 21le027pE500.00-no 00000.i1474698008-05-08LE027 F/A I H 20V. 31le027pE500.00-no 00000.i1474699208-05-08LE027 F/A I H 20V. 41le027pE500.00-no 00000.i1474700508-05-08LE027 F/A I H 19V. 11le027-E0.00-no 00000.i1503618225-11-09LE027 F/A I H 19V. 21le027-E0.00-no 00000.i1503619425-11-09LE027 F/A I H 19V. 31le027-E0.00-no 00000.i1503620025-11-09LE027 F/A I H 19V. 41le027-E0.00-no 00000.i1503621225-11-09LE023 Ed. ant. XXII, 1 1LE009-3551le023Volume I. - Esemplare parzialmente digitalizzato-E0.00-no 00000.i1325183107-04-04LE023 Ed. ant. XXII, 2 1LE009-3552le023Volume II. - Esemplare parzialmente digitalizzato-E0.00-no 00000.i1325184307-04-04LE023 Ed. ant. XXII, 3 1LE009-3553le023Volume III. - Esemplare parzialmente digitalizzato-E0.00-no 00000.i1325185507-04-04LE023 Ed. ant. XXII, 4 1LE009-3554le023Volume IV. - Esemplare parzialmente digitalizzato-E0.00-no 00000.i1325186707-04-04LE027 Fondo Grassi SA 045.01v. 112027000346387le027gE500.00-no 00000.i1601143016-05-22LE027 Fondo Grassi SA 045.02v. 212027000346394le027gE500.00-no 00000.i1601144216-05-22LE027 Fondo Grassi SA 045.03v. 312027000346400le027gE500.00-no 00000.i1601145416-05-22000:001:JPEG:b1272377:004818:0:0:0:0:0:0Frontespizio (c. [1r])y000:001:JPEG:b1272377:004819:0:0:0:0:0:0c. a1ry000:001:JPEG:b1272377:004820:0:0:0:0:0:0c. A1ry000:001:JPEG:b1272377:004821:0:0:0:0:0:0Frontespizio (c. [1r])y000:001:JPEG:b1272377:004822:0:0:0:0:0:0c. A1ry000:001:JPEG:b1272377:004823:0:0:0:0:0:0Frontespizio (c. [1r])y000:001:JPEG:b1272377:004824:0:0:0:0:0:0c. A1ry000:001:JPEG:b1272377:004825:0:0:0:0:0:0Frontespizio (c. [1r])y000:001:JPEG:b1272377:004826:0:0:0:0:0:0c. A1ry000:001:JPEG:b1272377:004827:0:0:0:0:0:0c. a1ryPragmaticae edicta decreta interdicta regiaeque sanctiones Regni Neapolitani267776UNISALENTOle002(8)le027(4)le02307-04-04ma oitait 013