01419nas 2200397- 450 99632175860331620230123213018.02525-9814(DE-599)ZDB2898535-7(OCoLC)1014219554(CKB)4100000000593556(CONSER)--2018269042(EXLCZ)99410000000059355620171108a20159999 s-- -porur|n|||||||||txtrdacontentcrdamediacrrdacarrierRevista de processo, jurisdição e efetividade da justiçaFlorianópolis, Santa Catarina, Brasil :Conselho Nacional de Pesquisa e Pós-graduação em Direito,[2015]-1 online resourceRev. Process. Jurisd. Efetividade JustiçaJustice, Administration ofPeriodicalsJustice, Administration ofBrazilPeriodicalsJustice, Administration offast(OCoLC)fst00985154BrazilfastPeriodicals.fastJustice, Administration ofJustice, Administration ofJustice, Administration of.Conselho Nacional de Pesquisa e Pós-Graduação em Direito (Brazil),JOURNAL996321758603316Revista de processo, jurisdição e efetividade da justiça2123071UNISA02743nam 2200529 450 991079639280332120180505085832.01-78533-768-810.1515/9781785337680(CKB)3790000000540742(MiAaPQ)EBC5191397(DE-B1597)637253(DE-B1597)9781785337680(OCoLC)1017002364(EXLCZ)99379000000054074220180116h20182018 uy 0engurcnu||||||||rdacontentrdamediardacarrierSinging ideas performance, politics, and oral poetry /Tríona Ní ShíocháinNew York, [New York] ;London, [England] :Berghahn Books,2018.©20181 online resource (204 pages) illustrations, graphsDance and Performance Studies ;Volume 121-78533-767-X Includes bibliographical references and index.Frontmatter -- Contents -- Figures -- Acknowledgements -- Chapter 1. Singing Ideas -- Chapter 2. ‘Where Everything Trembles in the Balance’ -- Chapter 3. Singing Parrhesia -- Conclusion. Singing Ideas in Society -- Appendix of Songs and Lore -- Bibliography -- IndexConsidered by many to be the greatest Irish song poet of her generation, Máire Bhuí Ní Laeire (Yellow Mary O’Leary; 1774–1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song.  As an oral arts practitioner, Máire Bhuí composed songs whose ecstatic, radical vision stirred her community to revolt and helped to shape nineteenth-century Irish anti-colonial thought. This provocative and richly theorized study explores the re-creative, liminal aspect of song, treating it as a performative social process that cuts to the very root of identity and thought formation, thus re-imagining the history of ideas in society.Dance and performance studies ;Volume 12.SingingIrelandSocial aspectsIrish poetryHistory and criticismOral traditionIrelandPerformance Studies, History: 18th/19th Century, Anthropology (General), Literary Studies.SingingSocial aspects.Irish poetryHistory and criticism.Oral tradition782.42162/91620092Ní Shíocháin Tríona1509405MiAaPQMiAaPQMiAaPQBOOK9910796392803321Singing ideas3741257UNINA