01352cam0-22005051i-450 99000073665040332120190528110619.0000073665FED01000073665(Aleph)000073665FED0100007366520020821d1962----km-y0itay50------baitaITa-------001yyBibliotecheWerner MevissenRomaEdizioni di comunità1962158 p.ill.28x23 cmBibliotecheOrganizzazioneBibliotecheArchitettura727.8080Mevissen,Werner5265ITUNINARICAUNIMARCBK990000736650403321727.8 MEV 1ST.ARTE 5927FLFBCARCH B 4215669FARBC02-0173206FI101 FA 30081818DINSTRGT 2181883 comp arch.DARPU08 C 1284838 (AT)DINEDMTD 405MTD 314/72 cdDARPU12 MTD 14552DARPU08 F 481068 C.E.DINED10.1293731DARSTFARBCFI1FLFBCDINSTDINEDDARPUDARSTBiblioteche322589UNINA04961oam 2200445I 450 991079637810332120210723043707.01-138-67998-41-317-19157-91-317-19158-710.4324/9781315563596(CKB)3790000000538590(MiAaPQ)EBC5178425(OCoLC)1013991687(EXLCZ)99379000000053859020180706d2018 uy 0engurcnu||||||||rdacontentrdamediardacarrierContemporary choreography a critical reader /edited by Jo Butterworth and Liesbeth WildschutSecond edition.Milton Park, Abingdon, Oxon ;New York, NY :Routledge,2018.1 online resource (573 pages)Includes index.1-315-56359-2 1-138-67997-6 chapter General introduction: studying contemporary choreography /JO BUTTERWORTH --chapter Section introduction --chapter 1 Knowing through dance-making: choreography, practical knowledge and practice-as-research /ANNA PAKES --chapter 2 Expert-intuitive and deliberative processes: struggles in (the wording of ) creative decision-making in ‘dance’ /SUSAN MELROSE --chapter 3 ‘Throwing like a girl’? Gender in a transnational world /SUSAN LEIGH FOSTER --chapter 4 Choreography that poses problems /BOJANA CVEJIC´ --chapter 5 Choreography as research: iteration, object, context /BEN SPATZ --chapter Section introduction --chapter 6 Too many cooks? A framework for dance making and devising /JO BUTTERWORTH --chapter 7 Facilitating choreographic process /LARRY LAVENDER --chapter 8 Velvet Petal: getting lost /FLEUR DARKIN --chapter 9 Risk-taking and group dance improvisation /JOAO DA SILVA --chapter 10 Dancing strategies and moving identities: the contributions independent contemporary dancers make to the choreographic process /JENNY ROCHE --chapter 11 Jonathan Burrows’ Postdance Conference keynote address, Stockholm 2015 /JONATHAN BURROWS --chapter Intervention /PEGGY OLISLAEGERS --chapter Section introduction --chapter 12 Dance dramaturgical agency /PIL HANSEN --chapter 13 The catalytic function of dramaturgy: working on actions in choreographic processes /KONSTANTINA GEORGELOU --chapter 14 Decentred dramaturgy: non-structural contexts in contemporary choreography --chapter Section introduction --chapter 15 Dancing around exclusion: an examination of the issues of social inclusion within choreographic practice in the community /SARA HOUSTON --chapter 16 Choreographic approaches in the community context /DIANE AMANS --chapter 17 Escola Livre de Danca da Mare in Rio de Janeiro: a ground to share /SILVIA SOTER --chapter 18 Experiencing space: some implications for site-specific dance performance /VICTORIA HUNTER --chapter 19 Whispering Birds: site-specific dance, affect and emotion /KAREN N. BARBOUR --chapter Section introduction --chapter 20 Principles of African choreography: some perspectives from Ghana /FRANCIS NII-YARTEY --chapter 21 The body as a site of power: an artistic case study on contemporary choreography in the Arab world /SANDRA NOETH AND SAMAR HADDAD KING --chapter 22 Beyond the intercultural to the accented body: an Australian perspective /CHERYL STOCK --chapter 23 Minority visibility and hip hop choreography: France 2015 /FELICIA MCCARREN --chapter 24 Sidi Larbi Cherkaoui and Akram Khan: intertwined journeys in-between dance cultures /GUY COOLS --chapter 25 Akram Khan on the politics of choreographing touch /ROYONA MITRA --chapter Section introduction --chapter 26 In search of Asian modernity: Cloud Gate Dance Theatre’s body aesthetics in the era of globalisation /YA-PING CHEN --chapter 27 The body as the stage of abstract space: sculpting of spectatorship in Meg Stuart’s choreography /JEROEN FABIUS --chapter 28 Hi, who are you? On choreography and the aged dancer /EFVA LILJA --chapter 29 Inclusive choreography: Lucy Bennett and Stopgap Dance Company /SHO SHIBATA --chapter Section introduction --chapter 30 Choreographic performance systems /JOHANNES BIRRINGER --chapter 31 Virtually touching: embodied engagement in telematic and virtual reality performance /SITA POPAT --chapter 32 How does motion capture mediate dance? /LAURA KARREMAN --chapter 33 Social media and choreographic practice: creative tools for collaboration, co-creation and creative practice /SOPHY SMITH.ChoreographyChoreography.792.8/2Butterworth JoWildschut Liesbeth1952-FlBoTFGFlBoTFGBOOK9910796378103321Contemporary choreography3739617UNINA01139nam0 22002891i 450 UON0011116220231205102637.32120020107d1957 |0itac50 bafreFR|||| 1||||Introduction au grec moderneAndré Mirambel3e edition revue et corrigeeParisMaisonneuve & Larose1957318 p.22 cm001UON000664252001 ˆLes ‰langues de l'Orient. I. ManuelsParisMaisonneuve & CLingua greca modernaGrammaticaUONC029771FIFRParisUONL002984480Lingua greca / Filologia classica21MIRAMBELAndréUONV070405392399Maisonneuve & LaroseUONV246473650ITSOL20250718RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00111162SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI GLOTT B 10 III 123 SI GL 1633/1 5 123 Introduction au Grec moderne141953UNIOR01210nam0 22002891i 450 UON0020929520231205103328.2404-15-11733-X20030730d1998 |0itac50 baengGB|||| 1||||African-American Englishstructure, history, and useSalikoko S. Mufwene, ... [et al.] - LondonNew YorkRoutledge, 1998XIII314 p. ; 24 cm.AFROAMERICANILinguaggioUONC093531FILingua ingleseStati Uniti d'AmericaInflussi africaniUONC064965FIUSNew YorkUONL000050GBLondonUONL003044427Lingua inglese. Varianti storiche e geografiche, varianti non geografiche moderne21MUFWENESalikoko S.UONV050680RoutledgeUONV248939650ITSOL20250808RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00209295SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI Angl VIII 0635 SI LO 62971 5 0635 African-american english982201UNIOR