03540nam 22005532 450 991079561120332120210603084655.010.1515/9789048551729(CKB)5590000000443869(OCoLC)1246445287(MdBmJHUP)muse97812(DE-B1597)582732(DE-B1597)9789048551729(MiAaPQ)EBC6552480(UkCbUP)CR9789048551729(Au-PeEL)EBL6552480(EXLCZ)99559000000044386920210426d2021|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierDutch post-war fiction film through a lens of psychoanalysis /Peter Verstraten[electronic resource]Amsterdam :Amsterdam University Press,2021.1 online resource (482 pages) digital, PDF file(s)Framing filmTitle from publisher's bibliographic system (viewed on 28 May 2021).90-485-5172-2 Includes bibliographical references and indexes.Frontmatter -- TABLE OF CONTENTS -- Preface -- Introduction -- CHAPTER 1. Spitting Images, Blind Spots, and Dark Mirrors -- CHAPTER 2. In the Name of Fathers – Overbearing, Flying, or Otherwise -- CHAPTER 3. That Obscure Object of Desire -- CHAPTER 4. From Ordinary Men and Rabbles to Heroes -- CHAPTER 5. Paranoia, Psychosis, The Horrific-Fantastic -- CHAPTER 6. Passages à l’Acte -- CHAPTER 7. From Historical Discomfort to Historical Trauma -- CHAPTER 8. Aphanisis -- CHAPTER 9. Hysteria, Neurosis, Perversion -- Epilogue -- BIBLIOGRAPHY -- FILMOGRAPHY -- INDEX OF CONCEPTS -- INDEX OF FILMS -- INDEX OF NAMESDutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis)Framing film (Amsterdam, Netherlands)Motion picturesNetherlandsHistory20th centuryPsychoanalysis and motion picturesNetherlandsMotion picturesPsychological aspectsDutch cinema - psychoanalysis (Freud, Lacan, Zizek) - cinephilia.Motion picturesHistoryPsychoanalysis and motion picturesMotion picturesPsychological aspects.791.4309492Verstraten Peter868174EYE (Amsterdam)pblUkCbUPUkCbUPBOOK9910795611203321Dutch post-war fiction film through a lens of psychoanalysis3734017UNINA