04092oam 2200469 450 991079512810332120230126222853.01-84888-532-610.1163/9781848885325(CKB)4920000000126684(OCoLC)1110057464(nllekb)BRILL9781848885325(MiAaPQ)EBC6481844(EXLCZ)99492000000012668420210710d2016 uy 0engurun| uuuuatxtrdacontentcrdamediardacarrierInhabiting the meta visual contemporary performance themes /edited by Helene Gee Markstein and Arthur Maria SteijnOxford, United Kingdom :Inter-Disciplinary Press,[2016]©20161 online resource90-04-37492-2 Includes bibliographical references.Preliminary Material /Helene Gee Markstein and Arthur Maria Steijn -- In Pursuit of the Social in Site-Specific Performance /Artemis Sierra -- The Dramaturgy of Wine, the Terroir of Performance: Multi-Sensory Performance-Making in Through the Grapevine /Roanna Mitchell and Krysta Dennis -- The Theatricality of the Human Body in Performance Art /Pnina Porter -- Facing Things /Andrew Cope -- Psychical Distance as a Basis for Perception and Creative Participation /Tereza Sluková -- Theatrical Performance in Light of Jean Paul Sartre’s Theory of the Imagination /Mahdi Ansari -- Is that a Watermelon on Your Head or a Basket of Fruits? Orthodox Masculinity in Sports and the Paradoxical Erotic Experience of the Roughriders Male Fans’ Drag Expressions /Jorge Sandoval -- Live from New York: Movement Performance and the Representation of American Heteronormativity /Colleen Culley -- American Showgirl: Ziegfeld to J Lo /Virginia L. Vogel -- Reduction as a Means to Enhance Choreographic Potential in Musical Performance /Falk Hübner -- Songs for an Injured Environment: Creating Visual Metaphors From a Theatre of Nature /Lisa Parkins -- Symbolic Use of Dress: Related Ritual in English and Spanish Oral Traditions /Ana Belén Martínez García -- Utzon’s Use of Light to Influence the Audience’s Perception of the Sydney Opera House /Simon Dwyer -- iPad Svoboda: The Physical Theatre of Projected Light /Andy Hurst and Judita Vivas -- Experimental Music Theatre and Its Investigation: Dieter Schnebel’s Körper-Sprache /Christa Brüstle -- Set the Machine into Motion: On Hotel Pro Forma’s Performance Laughter in the Dark /Maria Carneiro -- A Live-Time Relation: Motion Graphics Meets Classical Music /Arthur Maria Steijn.Theatre and the many varied expressions of performance practice in live and mediated performance forms, are by their nature inter-disciplinary. The goal of this volume is to develop discussion with a focus on the visual aspects of performance brought up by artists and researchers in various performance disciplines and practices. The volume facilitates inter-personal communication and the exchange of global perspectives, to engage a community in meaningful dialogue. Scenography describes the discipline of performing arts, which include all elements of theatrical presentation. As a definition here it is useful for this volume, because it outlines the understanding of scenographic practice as a combination of numerous theatre-practices that collaborate and include: architecture, lighting, costume, make-up, sound, settings and stage properties, movement, as well as audience participation.Experimental theaterHistoryPerforming artsSocial aspectsExperimental theaterHistory.Performing artsSocial aspects.792.0223Markstein Helene Gee1947-Steijn Arthur MariaMiAaPQMiAaPQUtOrBLWBOOK9910795128103321Inhabiting the meta visual3856400UNINA