03536nam 22005415 450 991079476180332120230126223212.01-4798-8769-210.18574/9781479887699(CKB)4340000000188614(OCoLC)1006619128(MdBmJHUP)muse65720(MiAaPQ)EBC4834295(DE-B1597)547667(DE-B1597)9781479887699(EXLCZ)99434000000018861420200608h20172017 fg 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierThe Filipino Primitive Accumulation and Resistance in the American Museum /Sarita Echavez SeeNew York, NY :New York University Press,[2017]©20171 online resource1-4798-4266-4 Includes bibliographical references and index.Front matter --Contents --Acknowledgments --Introduction --1. Progress through the Museum --2. Foreign in a Domestic Space --3. Lessons from the Illiterate --4. The Booty and Beauty of Contemporary Filipino/American Art --Conclusion --Notes --Bibliography --Index --About the AuthorHow museums’ visual culture contributes to knowledge accumulation Sarita See argues that collections of stolen artifacts form the foundation of American knowledge production. Nowhere can we appreciate more easily the triple forces of knowledge accumulation—capitalist, colonial, and racial—than in the imperial museum, where the objects of accumulation remain materially, visibly preserved. The Filipino Primitive takes Karl Marx’s concept of “primitive accumulation,” usually conceived of as an economic process for the acquisition of land and the extraction of labor, and argues that we also must understand it as a project of knowledge accumulation. Taking us through the Philippine collections at the University of Michigan Natural History Museum and the Frank Murphy Memorial Museum, also in Michigan, See reveals these exhibits as both allegory and real case of the primitive accumulation that subtends imperial American knowledge, just as the extraction of Filipino labor contributes to American capitalist colonialism. With this understanding of the Filipino foundations of the American drive toward power and knowledge, we can appreciate the value of Filipino American cultural producers like Carlos Bulosan, Stephanie Syjuco, and Ma-Yi Theater Company who have created incisive parodies of this accumulative epistemology, even as they articulate powerful alternative, anti-accumulative social ecologies.ImperialismSocial aspectsUnited StatesHistoryCultural propertySocial aspectsUnited StatesCultural propertySocial aspectsPhilippinesMaterial culturePhilippinesHistoryPhilippinesCivilizationPhilippinesRelationsUnited StatesImperialismSocial aspectsHistory.Cultural propertySocial aspectsCultural propertySocial aspectsMaterial cultureHistory.306.46See Sarita Echavezauthttp://id.loc.gov/vocabulary/relators/aut1502872DE-B1597DE-B1597BOOK9910794761803321The Filipino Primitive3730907UNINA01641nam0 22003131i 450 UON0029315520231205103930.29529-03-26468-620070420d2006 |0itac50 bafreFR|||| |||||10000 ans d'evolution des paysages en Adriatique et en Mediterranee orientale (Geomorphologie, Paleoenvironnements, Histoire)Eric FouacheLyonMaison de l'Orient et de la Mediterranee2006223 p., 5 p. di tav.ill.30 cmBibliotheque de la Maison de l'Orient et de la Mediterranee LyonIT-UONSI PER T0130045/2006001UON000874452001 Travaux de la Maison de l'Orient45Archeologia del paesaggioAdriaticoUONC063722FIArcheologia del PaesaggioMediterraneo orientaleUONC063723FIFRLyonUONL003148930.1Archeologia - Storia del mondo antico21FOUACHEÉricUONV168753433064Maison de l'Orient MéditerranéenUONV253609650ITSOL20260220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEO E ARCHIVIO STORICOUONSIUON00293155SIBA - SISTEMA BIBLIOTECARIO DI ATENEO E ARCHIVIO STORICOSI PER T 0130 045 2006 SI MC 31097 7 2006 Bibliotheque de la Maison de l'Orient et de la Mediterranee Lyon10000 ans d'evolution des paysages en Adriatique et en Mediterranee orientale (Geomorphologie, Paleoenvironnements, Histoire1252273UNIOR