04237nam 2200709 450 991053672010332120200520144314.01-922059-41-21-922059-40-4(CKB)3710000000088824(EBL)1634760(SSID)ssj0001111671(PQKBManifestationID)11623209(PQKBTitleCode)TC0001111671(PQKBWorkID)11156576(PQKB)11245771(MiAaPQ)EBC1634760(MiAaPQ)EBC1675053(Au-PeEL)EBL1634760(CaPaEBR)ebr10838652(OCoLC)870950752(Au-PeEL)EBL1675053(OCoLC)852964339(EXLCZ)99371000000008882420140225h20132013 uy 0engur|n|---|||||txtccrCoranderrk we will show the country /Giordano Nanni and Andrea JamesCanberra, Australian Capital Territory :Aboriginal Studies Press,2013.©20131 online resource (241 p.)Description based upon print version of record.1-922059-39-0 Includes bibliographical references and index.Front Cover; Title Page; Copyright; Dedication; Foreword; Foreword by Aunty Joy Murphy Wandin; Contents; Acknowledgments; A Note on Terminology; List of Abbreviations; Introduction; 1. A Brief History of Coranderrk, 1835-1881; Invasion and Dispossession; John Green and the Establishment of Coranderrk; The Board for the Protection of Aborigines; Coranderrk's Growth: 1863-74; John Green's Removal; The Coranderrk Rebellion; Mrs Bon and the Path to the Inquiry; The Coranderrk Inquiry; 2. Coranderrk - We Will Show the Country; Guide to the Annotated Script; List of PlayersThe Inquiry Begins (Scene 1)Reverend Strickland (Scene 2); Henry Jennings (Scene 3); Christian Ogilvie (Scene 4); Reverend Hagenauer (Scene 5); Edward Curr (Scene 6); Thomas Bamfield (Scene 7); Alice Grant (Scene 8); Barak (Scene 9); Eleanor McKie (Scene 10); Robert Wandon (Scene 11); Thomas Dunolly's Letter (Scene 12); Captain Page (Scene 13); Caroline Morgan (Scene 14); Wandon's Dismissal (Scene 15); Constable Tevlin (Scene 16); Phinnimore Jackson (Scene 17); Eda Brangy (Scene 18); Strickland's Last Word (Scene 19); George Syme (Scene 20); John Green (Scene 21)We Will Show the Country (Scene 22)3. The Aftermath, 1881-1924; The 1886 'Half-Caste Act'; The End and New Beginnings; 4. The Making of Coranderrk; Credits and Performance History; Final Reflections; Appendix: Timeline of Key Events; Notes; Select Bibliography; IndexDrawing from firsthand accounts, court testimony, and contemporary records, this history tells the story of Coranderrk, an Aboriginal community that operated successfully as a supplier of wheat and hops to Melbourne before an Aboriginal Protection Board-spurred Parliamentary Inquiry in 1881 deprived it of the bulk of its workforce. The first-person testimonies of both the Aboriginal witnesses and their non-Aboriginal allies and adversaries reveal the tensions inherent in the situation and provide a deeper and more accurate uWurundjeri (Australian people)VictoriaCoranderrkHistoryWurundjeri (Australian people)VictoriaCoranderrkSocial conditionsAboriginal AustraliansVictoriaCoranderrkHistoryAboriginal AustraliansVictoriaCoranderrkSocial conditionsCoranderrk Aboriginal Station (Vic.)HistoryVictoriaHistory1834-1900Electronic books.Wurundjeri (Australian people)History.Wurundjeri (Australian people)Social conditions.Aboriginal AustraliansHistory.Aboriginal AustraliansSocial conditions.994.5Nanni Giordano1175074James Andrea1036061MiAaPQMiAaPQMiAaPQBOOK9910536720103321Coranderrk2731629UNINA03319nam 2200541 450 991079461480332120201023111955.01-4725-1849-71-4742-7771-310.5040/9781474277723(CKB)4330000000000889(MiAaPQ)EBC4442077(OCoLC)1201426545(CaBNVSL)mat74277723(CaBNVSL)9781474277723(EXLCZ)99433000000000088920201023d2020 uy 0engurcnu||||||||rdacontentrdamediardacarrierNew mythologies in design and culture reading signs and symbols in the visual landscape /Rebecca HouzeLondon, England :Bloomsbury Academic,2020.London, England :Bloomsbury Publishing,20201 online resource (281 pages) illustrations0-85785-521-2 Includes bibliographical references and index.1. Green -- 2. Gateway -- 3. Bull's-Eye! -- 4. I is for Indian -- 5. The False Mirror -- 6. Red State, Blue State -- 7. DS -- 8. Just do it -- 9. The Grid."Taking as its point of departure Roland Barthes'classic series of essays, Mythologies, Rebecca Houze presents an exploration of signs and symbols in the visual landscape of postmodernity. In nine chapters Houze considers a range of contemporary phenomena, from the history of sustainability to the meaning of sports and children's building toys. Among the ubiquitous global trademarks she examines are BP, McDonald's, and Nike. What do these icons say to us today? What political and ideological messages are hidden beneath their surfaces? Taking the idea of myth in its broadest sense, the individual case studies employ a variety of analytic methods derived from linguistics, psychoanalysis, anthropology, sociology, and art history. In their eclecticism of approach they demonstrate the interdisciplinarity of design history and design studies. Just as Barthes' meditations on culture concentrated on his native France, New Mythologies is rooted in the author's experience of living and teaching in the United States. Houze's reflections encompass both contemporary American popular culture and the history of American industry, with reference to such foundational figures as Thomas Jefferson and Walt Disney. The collection provides a point of entry into today's complex postmodern or post-postmodern world, and suggests some ways of thinking about its meanings, and the lessons we might learn from it"--Provided by publisher.Communication in designUnited StatesDesignSocial aspectsUnited StatesSigns and symbolsUnited StatesHistory of art / art & design stylesbicsscCommunication in designDesignSocial aspectsSigns and symbolsHistory of art / art & design styles745.40973DES008000DES011000bisacshHouze Rebecca1575376NCaBNVSLCaBNVSLBOOK9910794614803321New mythologies in design and culture3852305UNINA