00923cam2 22002771 450 SOBE0004429020140711105642.020140711d1969 |||||ita|0103 baitaIT<<2: >>LetteraturaAlberto VarvaroNapoliLiguori1969314 p.21 cmRomanica Neapolitana4001LAEC000181532001 *Romanica Neapolitana4001SOBE000442882001 Manuale di filologia spagnola medievale / Alberto Varvaro2Vàrvaro, AlbertoAF0000731207075323ITUNISOB20140711RICAUNISOBUNISOB86018953SOBE00044290M 102 Monografia moderna SBNM860000067-2SI18953NmenleUNISOBUNISOB20140711105648.020140711105726.0menleLetteratura1710279UNISOB02943nam 2200457 450 991079438380332120230822235730.090-04-44143-310.1163/9789004441439(CKB)4100000011352959(OCoLC)1178896364(nllekb)BRILL9789004441439(MiAaPQ)EBC6319544(EXLCZ)99410000001135295920210114d2020 uy 0engurun####uuuuatxtrdacontentcrdamediardacarrierArchitecture of the world's major religions an essay on themes, differences, and similarities /Thomas BarrieLeiden ;Boston :Brill,[2020]©20201 online resourceBrill Research Perspectives90-04-44142-5 Includes bibliographical references and index.Architecture of the World's Major Religions -- An Essay on Themes, Differences, and Similarities -- Thomas Barrie -- Abstract -- Keywords -- 1 Introduction -- 2 Approaches, Reconsiderations, and Contextual Themes and Typologies -- 3 Judaism -- 4 Christianity -- 5 Islam -- 6 Hinduism -- 7 Taoism -- 8 Buddhism -- 9 Coda -- Acknowledgements -- Cited Works.In Architecture of the World's Major Religions: An Essay on Themes, Differences, and Similarities , Thomas Barrie presents and explains religious architecture in ways that challenge predominant presumptions regarding its aesthetic, formal, spatial, and scenographic elements. Two positions frame its narrative: religious architecture is an amalgam of aesthetic, social, political, cultural, economic, and doctrinal elements; and these elements are materialized in often very different ways in the world's principal religions. Central to the work's theoretical approaches is the communicative and discursive agency of religious architecture, and the multisensory and ritual spaces it provides to create and deliver content. Subsequently, mythical and scriptural foundations, and symbols of ecclesiastical and political power are of equal interest to formal organizations of thresholds, paths, courts, and centers, and celestial and geometric alignments. Moreover, it is equally concerned with the aesthetic, visual and material cultures and the transcendent realms they were designed to evoke, as it is with the kinesthetic, the dynamic and multisensory experience of place and the tangible experiences of the body's interactions with architecture.Brill research perspectives.Religious architectureReligious architecture.726Barrie Thomas1468082MiAaPQMiAaPQMiAaPQBOOK9910794383803321Architecture of the world's major religions3679011UNINA