03541oam 22005534a 450 991079376970332120200402172120.00-8139-4285-3(CKB)4100000008701578(MiAaPQ)EBC5824790(OCoLC)1108545919(MdBmJHUP)muse76159(EXLCZ)99410000000870157820190729d2019 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierWithout the NovelRomance and the History of Prose Fiction /Scott BlackBaltimore, Maryland :Project Muse,2019Baltimore, Md. :Project MUSE, 2019©20191 online resource (x, 208 pages)0-8139-4284-5 Includes bibliographical references (pages 183-197) and index.Introduction : romance and the turbulence of literary history -- Reading mistakes in Heliodorus -- The Origins of Romance -- Romance redivivus -- The adventures of love in Tom Jones -- Tristram Shandy's strange loops of reading -- Stasis and static in The wanderer -- Coda : reading romance.No genre manifests the pleasure of reading--and its power to consume and enchant--more than romance. In suspending the category of the novel to rethink the way prose fiction works, Without the Novel demonstrates what literary history looks like from the perspective of such readerly excesses and adventures. Rejecting the assumption that novelistic realism is the most significant tendency in the history of prose fiction, Black asks three intertwined questions: What is fiction without the novel? What is literary history without the novel? What is reading without the novel? In answer, this study draws on the neglected genre of romance to reintegrate eighteenth-century British fiction with its classical and Continental counterparts. Black addresses works of prose fiction that self-consciously experiment with the formal structures and readerly affordances of romance: Heliodorus's Ethiopian Story, Cervantes's Don Quixote, Fielding's Tom Jones, Sterne's Tristram Shandy, and Burney's The Wanderer. Each text presents itself as a secondary, satiric adaptation of anachronistic and alien narratives, but in revising foreign stories each text also relays them. The recursive reading that these works portray and demand makes each a self-reflexive parable of romance itself. Ultimately, Without the Novel writes a wider, weirder history of fiction organized by the recurrences of romance and informed by the pleasures of reading that define the genre.English fictionHistory and criticismReality in literatureAdventure storiesHistory and criticismRomance fictionHistory and criticismRomancesHistory and criticismFictionHistory and criticismElectronic books. English fictionHistory and criticism.Reality in literature.Adventure storiesHistory and criticism.Romance fictionHistory and criticism.RomancesHistory and criticism.FictionHistory and criticism.808.3Black Scott1964-1493062MdBmJHUPMdBmJHUPBOOK9910793769703321Without the Novel3715892UNINA