04647nam 2200745 450 991079360020332120230607190801.01-5261-3574-410.7765/9781526135742(CKB)4100000007744996(MiAaPQ)EBC5720109(OCoLC)1260322616(MdBmJHUP)musev2_78506(UkMaJRU)992979626915701631(DE-B1597)659499(DE-B1597)9781526135742(EXLCZ)99410000000774499620191122h20192019 fy| 0engur||#---|||||txtrdacontentcrdamediacrrdacarrierThe cultural politics of contemporary Hollywood film power, culture, and society /Chris Beasley and Heather BrookManchester, UK :Manchester University Press,2019.©20191 online resource (xi, 367 pages) digital file(s)1-5261-3575-2 0-7190-8298-6 Includes bibliographical references (pages 292-337), filmography (pages 338-359), and index.Foreword by Douglas Kellner -- 1. Introduction: the cultural politics of popular film -- 2. Frames -- Part I: Security -- 3. Security: order and disorder -- 4. War and order -- 5. Disorder and fear -- 6. Fearsome monsters -- Part II: Relationalities -- 7. Gender and intimate relationships -- 8. Romance -- 9. Bromance -- Part III: Social critique -- 10. Against the grain? Socially critical movies -- 11. Questioning the critical -- Part IV: Global agendas -- 12. The big picture: the 'metropole' and peripheral 'others' -- 13. Responses from 'the margins' -- Index.Adopting and developing a 'cultural politics' approach, this comprehensive study explores how Hollywood movies generate and reflect political myths about social and personal life that profoundly influence how we understand power relations. Instead of looking at genre, it employs three broad categories of film. 'Security' films present ideas concerning public order and disorder, citizen-state relations and the politics of fear. 'Relationalities' films highlight personal and intimate politics, bringing norms about identities, gender and sexuality into focus. In 'socially critical' films, particular issues and ideas are endowed with more overtly political significance. The book considers these categories as global political technologies implicated in hegemonic and 'soft power' relations whose reach is both deep and broad." 'The authors draw on an impressive array of contemporary literature and critical studies to provide original and illuminating analyses of how contemporary Hollywood film is an important force of cultural politics.' From the foreword by Douglas Kellner, Distinguished Professor of Education at UCLA and author of Cinema Wars: Hollywood Film and Politics in the Bush/Cheney Era Movies are never politically innocent. They generate and reflect myths about nation, society, community, and personal life that profoundly influence how we understand our world and ourselves. Developing a new syncretic 'cultural politics' approach, this comprehensive and up-to-date study interrogates the stories Hollywood tells us, offering insights into both the pleasures and problems associated with what we watch. " --Back cover.Politics in motion picturesMotion picturesCaliforniaLos AngelesHistory20th centuryMotion picturesCaliforniaLos AngelesHistory21st centuryFilm and MediamupFilm Theory & CriticismbicsscPERFORMING ARTS / Film / History & CriticismbisachUnited StatesfastCultural politics.Feminism.Film history.Globalisation.Hollywood.Masculinity.Political myths.Power.Security.Social critique.gender/sexuality.Politics in motion pictures.Motion picturesHistoryMotion picturesHistoryFilm and MediaFilm Theory & CriticismPERFORMING ARTS / Film / History & Criticism791.436581Beasley Chris801712Beasley ChrisUkMaJRUBOOK9910793600203321The cultural politics of contemporary Hollywood film3803547UNINA