00852nam0-22003011i-450-99000570335040332120150928114718.0000570335FED01000570335(Aleph)000570335FED0100057033519990604d1962----km-y0itay50------badutfreBEy-------001yyVocabulaire de base du néerlandaisexpliqué en français par G. Vannespréface de Fr. Closset9. éd.AnversDe Sikkel1962XXXIV, 327 p.18 cmLingua olandeseDizionari439.322itaVannes,G.218906ITUNINAREICATUNIMARCBK990005703350403321439.3 VAN 1Ist.Glott. 537FLFBCFLFBCUNINA02949oam 22006374a 450 991079346740332120230817192219.01-5261-3116-11-5261-3115-310.7765/9781526131157(CKB)4100000007814805(MiAaPQ)EBC5731795(OCoLC)1089931422(MdBmJHUP)muse77771(DE-B1597)659065(DE-B1597)9781526131157(EXLCZ)99410000000781480520190829d2019 uy 0engurcnu||||||||rdacontentrdamediardacarrierDada bodiesBetween battlefield and fairground /Elza AdamowiczBaltimore, Maryland :Project Muse,2019Baltimore, Md. :Project MUSE,2019©20191 online resource (277 pages) illustrations1-5261-3114-5 Includes bibliographical references (pages [240]-252) and index.Introduction: spare parts -- Zurich Dada: between gas mask and carnival dance -- Shooting the classical body -- Hybrid bodies (I): the impossible machine -- Hybrid bodies (II): the grotesque -- Performance spaces: fairground, cabaret, exhibition -- Death and rebirth: corpse or chrysalis -- Fluid bodies, shifting identities -- Dada's Africa -- Limit-bodies -- Conclusion: exquisite corpses.This is the first comprehensive study of bodily images in Dada. Travelling between the international centres of the movement, from Zurich to Berlin, Paris to New York, it examines a diverse range of media, including art, literature, performance, photography and film. Its overall approach is to confront Dada's bodily images not as organic unities but as fictions that reflect on the disjunctive, dehumanised society of war-torn Europe. These fictions occupy an ambivalent space between the battlefield (in their satirical exposure of ideology) and the fairground (in their playful manipulation and joyful renewal of the body). The book features analyses of works by Max Ernst, Francis Picabia, Hannah Höch, Marcel Duchamp and others, and will appeal to scholars and students of European history, cultural history, art and literature.Human figure in artDadaismDada.Limit-bodies.New Man.anti-classicism.fairground.gender.grotesque.limit-forms.montage.performance.photomontage.war.Human figure in art.Dadaism.709.04062Adamowicz Elza681328MdBmJHUPMdBmJHUPBOOK9910793467403321Dada bodies3679231UNINA02228oas 2200625 a 450 991014708110332120241223213014.0(DE-599)ZDB2212159-6(OCoLC)62409684(CONSER) 2009252948(CKB)1000000000033759(EXLCZ)99100000000003375920051202a20059999 uy engurunu||||||||txtrdacontentcrdamediacrrdacarrierAfrican journal of information and communication technologySydney, Australia University of TechnologyRefereed/Peer-reviewedAfrican Journal of Information and Communication Technology (AJICT)--is an international journal providing a publication vehicle for coverage of topics of interest to those involved in computing, communication networks, electronic communications, information technology systems and Bioinformatics. It is serving as an open source vehicle of the works of researchers in ICT world wide that hitherto would not be available to organisations outside and within the African sub-region.1449-2679 AJICTAfrican journal of ICTTelecommunicationPeriodicalsInformation theoryPeriodicalsSoftware engineeringPeriodicalsInformation theoryfast(OCoLC)fst00973149Software engineeringfast(OCoLC)fst01124185Telecommunicationfast(OCoLC)fst01145830Periodicals.fastTelecommunicationInformation theorySoftware engineeringInformation theory.Software engineering.Telecommunication.SNMSNMCUSWAUSERSOHEBISOCLCQOCLCFOCLCOOCLCQAU@BWNOCLCQJOURNAL9910147081103321African journal of information and communication technology2178304UNINA