03057nam 2200481 450 991079319790332120221114080413.01-78680-318-6(CKB)4100000005818994(MiAaPQ)EBC5493112(EXLCZ)99410000000581899420180915d2018 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierArt after money, money after art creative strategies against financialization /Max HaivenLondon :Pluto Press,2018.1 online resource (305 pages) illustrationsIncludes index.0-7453-3825-9 0-7453-3824-0 Introduction. Financialization and the imagination -- The best of enemies, the worst of friends -- Why bother? Activist questions -- Caveats toward abolition.Part one. Three point five artistic strategies to envision money's mediation. Crises of representation -- Money, abstraction and transformation -- The art of money, the financialization of art, and a half-strategy -- Strategy 1: revelation -- Strategy 2: reflexivity -- On mediation -- Strategy 3: rendering labor visible.Part two. Six artists x two crises x three orders of reproduction. Three theories of reproduction == Three artists, c.1973 -- Dawning financialization.Part three. Zero participation: benign pessimism, tactical parasitics and the encrypted common. You can't give it away like you used to -- Social practices -- Cruel optimism.Part four. Encryption: art's crypt, securitization in numbers, derivative socialities. The cryptic market -- A financialized society of control -- Freeport empire -- Palaces of encrypted culture -- A crypt within a crypt -- Popular unrest -- Derivative sociality -- Debtfair -- Epilogue: Beyond crypto.Conclusion. Toward abolitionist horizons. A abolitionist approach -- Another reproduction -- Beyond fascism.Haiven uses money-art--the work of visual, performance and participatory artists who use money as medium or material for artistic intervention or expression--to help tell a story or a suite of short stories, about the relationship between culture and the economy in a time when the line between the two is increasingly blurred. By exploring the way contemporary artists engage with cash, debt and credit, the author identifies and assesses a range of creative strategies for mocking, sabotaging, exiting, decrypting and hacking capitalism today. --Adapted from publisher description.ArtEconomic aspectsMoney in artArtEconomic aspects.Money in art.706.8Haiven Max1981-1483676MiAaPQMiAaPQMiAaPQBOOK9910793197903321Art after money, money after art3748711UNINA