01709nam2 22003613i 450 CFI028923220231121125450.020010606d1994 ||||0itac50 baitaitz01i xxxe z01n˜Le œconcezioni dell'oltretomba presso i SumeriSilvia Maria ChiodiRoma[s.n.]1994RomaBardiP. 322-51024 cm.Ser.9,vol.4,fasc.5CFI0112150001CFI01121502001 Atti della Accademia nazionale dei Lincei. Classe di scienze morali, storiche e filologiche. Memorie1994Riti funebriSumeriFIRRMLC409894EOltretombaConcezione sumericaFIRRMLC167487I393.093501Riti funebri. Sumeri.21935.01Mesopotamia e altopiano iranico, fino al 637. Periodo degli Elamiti, dei Sumeri, degli Accadi, di Ur, fino al 1900 ca. a.C.21Chiodi, Silvia MariaRAVV080715070454627Chiodi, SilviaMILV249595Chiodi, Silvia MariaITIT-0120010606IT-RM028 IT-RM0418 IT-FR0017 Biblioteca Universitaria AlessandrinaRM028 BIBLIOTECA ACCADEMIA NAZ. DEI LINCEI E CORSINIANARM0418 Biblioteca umanistica Giorgio ApreaFR0017 NCFI0289232Biblioteca umanistica Giorgio Aprea 52DFA COLL A 9.5 52FLS0000325895 VMB RS Ser.9., vol.4., fasc.5.C 2015033120150331 01 10 52Concezioni dell'oltretomba presso i sumeri160212UNICAS03371nam 2200625 450 991079282350332120230809224055.03-11-051708-63-11-051543-110.1515/9783110517088(CKB)3710000001307342(MiAaPQ)EBC4855904(DE-B1597)472777(OCoLC)987936876(DE-B1597)9783110517088(Au-PeEL)EBL4855904(CaPaEBR)ebr11382563(OCoLC)987091788(EXLCZ)99371000000130734220170529h20172017 uy 0engurcnu||||||||rdacontentrdamediardacarrierTheatre on terror subject positions in British drama /Ariane de WaalBerlin, [Germany] ;Boston, [Massachusetts] :De Gruyter,2017.©20171 online resource (298 pages) illustrationsCDE Studies,2194-9069 ;Volume 273-11-051512-1 Includes bibliographical references and indexes.Frontmatter -- Contents -- Acknowledgements -- 1. Introduction -- 2. Theoretical Framework -- 3. Home-Front Plays: Subject Positions in the British Terror City -- 4. Front-Line Plays: Positioning 'Self', 'Other', and Other Selves in Iraq and Afghanistan -- 5. Conclusion -- Works Cited -- General Index -- Index of PlaysIn a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both 'at home' and 'on the front line'. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of 'home' and 'front', where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with 'the real', Ariane de Waal argues that these plays navigate the complexities of the discourse - rather than the historical or social realities - of war and terrorism. British 'theatre on terror' negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities. CDE studies ;Volume 27.English dramaHistory and criticismTheaterGreat BritainHistory20th century9/11.Contemporary British Theatre.Drama.Subject Positions.Terror.English dramaHistory and criticism.TheaterHistory822.009HN 1261rvkDe Waal Ariane1561846De Waal ArianeMiAaPQMiAaPQMiAaPQBOOK9910792823503321Theatre on terror3828903UNINA