04536nam 2201129Ia 450 991079244740332120230721015903.01-282-77263-597866127726340-520-94464-X10.1525/9780520944640(CKB)2670000000016115(EBL)785209(OCoLC)497190777(SSID)ssj0000333775(PQKBManifestationID)11297157(PQKBTitleCode)TC0000333775(PQKBWorkID)10377747(PQKB)10293840(MiAaPQ)EBC785209(DE-B1597)520412(DE-B1597)9780520944640(Au-PeEL)EBL785209(CaPaEBR)ebr10343497(CaONFJC)MIL277263(EXLCZ)99267000000001611520090501d2009 uy 0engur|n|---|||||txtccr1989[electronic resource] Bob Dylan didn't have this to sing about /Joshua CloverBerkeley University of California Pressc20091 online resource (205 p.)Description based upon print version of record.0-520-26787-7 0-520-25255-1 Includes bibliographical references and index.Frontmatter -- Contents -- Illustrations -- Prologue -- Introduction: The Long 1989 -- Part One. 1989 (the unconfined unreckoned year) -- Part Two. "1989" (a shout in the street) -- Epilogue -- Acknowledgments -- Notes -- Works Cited -- IndexIn a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."Popular music1981-1990History and criticismRap (Music)History and criticismUnderground dance musicHistory and criticismGrunge musicHistory and criticismNineteen eighty-nine, A.Dacid house.bands.cultural studies.de la soul.dr dre.entertainment industry.fall of the berlin wall.gangsta rap.george micheal.grunge music.historical.history.jesus jones.lyrical theory.madonna.media studies.music studies.music.musicians.nine inch nails.nirvana.nwa.performing arts.political aesthetics.politics.pop music.popular music.public enemy.rap music.retrospective.roxette.singers.social context.the end of history.the klf.the scorpions.u2.Popular musicHistory and criticism.Rap (Music)History and criticism.Underground dance musicHistory and criticism.Grunge musicHistory and criticism.Nineteen eighty-nine, A.D.781.6409/048Clover Joshua1473434MiAaPQMiAaPQMiAaPQBOOK991079244740332119893686597UNINA