02972oam 2200673I 450 991079233480332120230808211021.01-351-89818-31-351-89819-11-315-24248-61-282-52493-397866125249360-7546-9938-210.4324/9781315242484 (CKB)2670000000017263(EBL)495314(OCoLC)647902048(SSID)ssj0000402339(PQKBManifestationID)11278679(PQKBTitleCode)TC0000402339(PQKBWorkID)10425526(PQKB)10710927(MiAaPQ)EBC495314(Au-PeEL)EBL495314(CaPaEBR)ebr10376600(CaONFJC)MIL252493(OCoLC)988382699(EXLCZ)99267000000001726320180706e20162010 uy 0engur|n|---|||||txtccrStaging spectatorship in the plays of Philip Massinger /Joanne RochesterLondon :Routledge,2016.1 online resource (183 p.)Studies in performance and early modern dramaFirst published 2010 by Ashgate Publishing.0-7546-3080-3 Includes bibliographical references and index.Cover; Contents; List of Figures; Acknowledgements; Introduction; 1 "What Doe wee acte to day?" Plays within the Play: The Roman Actor; 2 "For your sport / You shall see a masterpiece": Masques-within in The Picture, The Guardian and The City Madam; 3 "Speculations / On cheating pictures": Visual Art as Dramatic Inset: The Picture; Conclusion: "Make your howse the stage on which weel act / Our comick sceane"; Bibliography; IndexIn Staging Spectatorship in the Plays of Philip Massinger, Joanne Rochester examines examples of on-stage spectatorship in three plays by Massinger, head playwright for the King's Men from 1625 to 1640. Focusing on the specific form of metatheatrical inset in each play-plays-within in The Roman Actor, masques-within in The City Madam, and the titular miniature portrait of The Picture - she analyzes Massinger's assumptions about interpretation, perception and spectator response.Studies in performance and early modern drama.Theater audiences in literatureVisual perception in literatureTheater audiencesEnglandHistory17th centuryTheater audiences in literature.Visual perception in literature.Theater audiencesHistory822/.3Rochester Joanne.1514490MiAaPQMiAaPQMiAaPQBOOK9910792334803321Staging spectatorship in the plays of Philip Massinger3749663UNINA