05209nam 2200625 a 450 991079229700332120200520144314.01-118-75582-0(CKB)2560000000103665(EBL)1250961(OCoLC)852758564(SSID)ssj0000972001(PQKBManifestationID)11575675(PQKBTitleCode)TC0000972001(PQKBWorkID)10940241(PQKB)11188986(OCoLC)859157010(Au-PeEL)EBL1250961(CaPaEBR)ebr10719156(OCoLC)872700728(CaSebORM)9781118757468(MiAaPQ)EBC1250961(EXLCZ)99256000000010366520150303d2013 uy 0engur|n|---|||||txtccrMastering AutoCAD 2014 and AutoCAD LT 2014[electronic resource] /George Omura ; with Brian C. Benton1st editionHoboken, N.J. Autodesk ; Sybexc20131 online resource (1250 p.)Includes index.1-118-75746-7 1-118-57504-0 Mastering AutoCAD 2014 and AutoCAD LT 2014; Introduction; Part 1: The Basics; Chapter 1: Exploring the Interface; Taking a Guided Tour; Launching AutoCAD; The AutoCAD Window; Using the Application Menu; Using the Ribbon; Picking Points in the Drawing Area; Using the UCS Icon; Working in the Command Window; Working with AutoCAD; Opening an Existing File; Getting a Closer Look; Saving a File as You Work; Making Changes; Working with Multiple Files; Adding a Predrawn Symbol with the Tool Palettes; The Bottom Line; Chapter 2: Creating Your First DrawingGetting to Know the Home Tab's Draw and Modify PanelsStarting Your First Drawing; Specifying Exact Distances with Coordinates; Specifying Polar Coordinates; Specifying Relative Cartesian Coordinates; Interpreting the Cursor Modes and Understanding Prompts; Understanding Cursor Modes; Choosing Command Options; Selecting Objects; Selecting Objects in AutoCAD; Providing Base Points; Using Noun/Verb Selection; Editing with Grips; Stretching Lines by Using Grips; Moving and Rotating with Grips; Understanding Dynamic Input; Displaying Data in a Text Window; Displaying the Properties of an ObjectGetting HelpUsing the InfoCenter; Exploring the AutoCAD 2014 Welcome Screen; Finding Additional Sources of Help; The Bottom Line; Chapter 3: Setting Up and Using the Drafting Tools; Setting Up a Work Area; Specifying Units; Fine-Tuning the Measurement System; Setting Up the Drawing Limits; Looking at an Alternative to Limits; Understanding Scale Factors; Using Polar Tracking; Setting the Polar Tracking Angle; Exploring the Drawing Process; Locating an Object in Reference to Others; Getting a Closer Look; Modifying an Object; Planning and Laying Out a Drawing; Making a Preliminary SketchUsing the LayoutErasing the Layout Lines; Putting On the Finishing Touches; Aligning Objects by Using Object Snap Tracking; Using the AutoCAD Modes as Drafting Tools; Using Grid Mode as a Background Grid; Using Snap Modes; The Bottom Line; Chapter 4: Organizing Objects with Blocks and Groups; Creating and Using a Symbol; Understanding the Block Definition Dialog Box; Inserting a Symbol; Scaling and Rotating Blocks; Using an Existing Drawing as a Symbol; Modifying a Block; Unblocking and Redefining a Block; Saving a Block as a Drawing File; Replacing Existing Files with BlocksUnderstanding the Write Block Dialog Box OptionsOther Uses for Blocks; Understanding the Annotation Scale; Grouping Objects; Modifying Members of a Group; Ungrouping, Adding, and Subtracting From a Group; Working with the Object Grouping Dialog Box; Working with the AutoCAD LT Group Manager; The Bottom Line; Chapter 5: Keeping Track of Layers and Blocks; Organizing Information with Layers; Creating and Assigning Layers; Working on Layers; Controlling Layer Visibility; Finding the Layers You Want; Taming an Unwieldy List of Layers; Assigning Linetypes to Layers; Adding a Linetype to a DrawingControlling Lineweights The ultimate reference and tutorial for AutoCAD software This Autodesk Official Press book helps you become an AutoCAD and AutoCAD LT expert and has been fully updated to cover all of AutoCAD's new capabilities. Featuring the popular, empowering presentation style of veteran award-winning author George Omura, this indispensable resource teaches AutoCAD essentials using concise explanations, focused examples, step-by-step instructions, and hands-on projects. Introduces you to the basics of the interface and drafting toolsDetails how to effectively use hatches, fields, anComputer-aided designComputer-aided design.620.0042502855369Omura George8614Omura George8614MiAaPQMiAaPQMiAaPQBOOK9910792297003321Mastering AutoCAD 2014 and AutoCAD LT 20143843026UNINA03672nam 22006972 450 991081076630332120240405164247.090-485-2326-510.1515/9789048523269(CKB)3710000000321642(EBL)1899676(SSID)ssj0001467355(PQKBManifestationID)11890948(PQKBTitleCode)TC0001467355(PQKBWorkID)11515196(PQKB)11257222(DE-B1597)502827(OCoLC)1076460481(DE-B1597)9789048523269(Au-PeEL)EBL1899676(CaPaEBR)ebr11001086(CaONFJC)MIL801027(OCoLC)923710131(UkCbUP)CR9789048523269(MiAaPQ)EBC1899676(EXLCZ)99371000000032164220201130d2014|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierColor and empathy essays on two aspects of film /Christine N. Brinckmann[electronic resource]1st ed.Amsterdam :Amsterdam University Press,2014.1 online resource (269 pages) digital, PDF file(s)Film culture in transitionTitle from publisher's bibliographic system (viewed on 23 Jun 2021).90-8964-656-6 Front matter --Table of Contents --Preface /Brinckman, Christine N. --Cinematic Color as Likeness and as Artifact --Chords of Color --The Tension of Colors in Colorized Silent Films --Structural Film, Structuring Color: Jenny Okun's Still Life --Desert Fury: A Film Noir in Color --The Work of the Camera: Beau travail --Empathy with the Animal --Motor Mimicry in Hitchcock --Abstraction and Empathy in the Early German Avant-garde --The Role of Empathy in Documentary Film: A Case Study --Genre Conflict in Tracey Emin's Top Spot --Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate --Casta Diva: An Empathetic Reading --Publication Data --Index of Films --Index of Subjects --Film Culture in TransitionThe collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film.Film culture in transition.Colors in motion picturesHistoryColor cinematographyHistoryColor motion picturesHistoryFilm poetics.colour in film.documentary film.historical stylistics.viewer response.Colors in motion picturesHistory.Color cinematographyHistory.Color motion picturesHistory.791Brinckmann Christine1937-1623597UkCbUPUkCbUPBOOK9910810766303321Color and empathy3958075UNINA