02467nam 22005531 450 991079223430332120230803024356.00-19-990885-01-299-95652-1(CKB)2560000000296602(EBL)3055682(OCoLC)922972730(SSID)ssj0001001307(PQKBManifestationID)11975446(PQKBTitleCode)TC0001001307(PQKBWorkID)10967034(PQKB)10551340(StDuBDS)EDZ0000172373(MiAaPQ)EBC3055682(EXLCZ)99256000000029660220130205h20132013 uy 0engur|n|---|||||txtccrRedefining Hungarian music from Liszt to Bartók /Lynn M. HookerNew York :Oxford University Press,2014.1 online resource (321 p.)Description based upon print version of record.0-19-973959-5 0-19-936946-1 Includes bibliographical references and index.Rhapsody on Hungarian themes : the development of Hungarian art and music in historical context from the reform era to World War I -- The Liszt centennial and Liszt's legacy in Hungarian musical life -- From gypsies to peasants : race, nation, and modernity -- Writing Hungarian music : genre, motive, spirit -- Cosmopolitan nationalist modernism : promoting and composing modern Hungarian music.Some of the most popular works of 19th-century music were labelled either 'Hungarian' or 'Gypsy' in style, including many of the best-known and least-respected of Liszt's compositions. In the early 20th century, Bela Bartok and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartok argued that it should be discarded in favour of a national style based in the 'genuine' folk music of the rural peasantry.MusicHungaryHistory and criticismNationalism in musicHungaryCivilizationMusicHistory and criticism.Nationalism in music.780.9439Hooker Lynn M1529817MiAaPQMiAaPQMiAaPQBOOK9910792234303321Redefining Hungarian music from Liszt to Bartók3774305UNINA