02795nam 22006254a 450 991079223150332120230617020133.00-19-537447-91-280-45145-91-60256-060-90-19-535695-00-19-509822-69786610451456(CKB)2560000000296402(EBL)3051942(OCoLC)57404627(SSID)ssj0000086393(PQKBManifestationID)11123732(PQKBTitleCode)TC0000086393(PQKBWorkID)10030303(PQKB)11611689(StDuBDS)EDZ0000073211(Au-PeEL)EBL3051942(CaPaEBR)ebr10087303(CaONFJC)MIL45145(Au-PeEL)EBL271346(Au-PeEL)EBL7035824(MiAaPQ)EBC3051942(EXLCZ)99256000000029640220030219d2004 uy 0engur|n|---|||||txtccrDvořák to Duke Ellington[electronic resource] a conductor explores America's music and its African American roots /Maurice PeressOxford ;New York Oxford University Press20041 online resource (265 p.)Description based upon print version of record.0-19-518071-2 0-19-986981-2 Includes discography (p. 241-242), bibliographical references (p. 243-244), and index.Antonin Dvořák comes to America -- America and Negro music -- Dvořák's symphony "From the New World" -- The Chicago World's Columbian Exposition of 1893 -- The National Conservatory of Music of America -- Paul Laurence Dunbar, Clorilindy, and "The talented tenth" -- James Reese Europe -- George Gershwin and African American music -- Leonard Bernstein -- Gershwin's "Rhapsody in blue" -- The Clef Club concert -- Will Marion Cook -- George Antheil's "Ballet mécanique" -- Bernstein's Mass -- Duke Ellington -- Ellington's "Queenie pie" -- Ellington's "Black, brown and beige".Prominent symphony conductor Maurice Peress describes his career conducting the premiers of such works as Leonard Bernstein's 'Mass' & Duke Ellington's 'Queenie Pie'. He traces the great impact of African American music on American music, beginning with the work of Antonin Dvořák.MusicUnited StatesAfrican American influencesMusicAfrican American influences.780/.973Peress Maurice1529807MiAaPQMiAaPQMiAaPQBOOK9910792231503321Dvořák to Duke Ellington3774284UNINA