01067nam0-22003131i-450-990003190480403321000319048FED01000319048(Aleph)000319048FED0100031904820000920d1966----km-y0itay50------baitaIT<<A >>Select Collection of Scarse and Valuable Tracts and Other Publications on the National Debt and the Sinking Fund [1857]Edited with a Preface, Notes and Index by John R. McCulloch.New YorkAugustus M. Kelley1966.XVII, 703 p.22 cmReprints of economic classicsD/3.2F/1.402N/2.350McCulloch,John Ramsay<1789-1864>ITUNINARICAUNIMARCBK990003190480403321D/3.2 SEL/4848/ISESSESSelect Collection of Scarse and Valuable Tracts and Other Publications on the National Debt and the Sinking Fund453769UNINAING0103154nam 22007814a 450 991079223130332120230120054616.00-19-518797-01-280-48140-497866104814080-19-803217-X1-60256-973-80-19-518502-1(CKB)2560000000296430(EBL)3051844(OCoLC)922952430(SSID)ssj0001143625(PQKBManifestationID)12513062(PQKBTitleCode)TC0001143625(PQKBWorkID)11112405(PQKB)11336956(SSID)ssj0000085978(PQKBManifestationID)11115839(PQKBTitleCode)TC0000085978(PQKBWorkID)10025600(PQKB)11498173(StDuBDS)EDZ0000073255(MiAaPQ)EBC3051844(Au-PeEL)EBL3051844(CaPaEBR)ebr10084829(CaONFJC)MIL48140(MiAaPQ)EBC279713(Au-PeEL)EBL279713(OCoLC)191038694(MiAaPQ)EBC7033899(EXLCZ)99256000000029643020011119d2002 uy 0engur|n|---|||||txtccrConceptualizing music[electronic resource] cognitive structure, theory, and analysis /Lawrence M. ZbikowskiOxford ;New York Oxford University Press20021 online resource (377 p.)AMS studies in musicDescription based upon print version of record.0-19-514023-0 0-19-987127-2 Includes bibliographical references (p. 335-352) and index.Contents; Introduction: Conceptualizing Music; PART I. ASPECTS OF COGNITIVE STRUCTURE; 1. Categorization; 2. Cross-Domain Mapping; 3. Conceptual Models and Theories; PART II. ANALYSIS AND THEORY; 4. Categorization, Compositional Strategy, and Musical Syntax; 5. Cultural Knowledge and Musical Ontology; 6.Words, Music, and Song: The Nineteenth-Century Lied; 7. Competing Models of Music: Theories of Musical Form and Hierarchy; Conclusion: Cognitive Structure, Theory, and Analysis; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; ZThis text shows how work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists can be used to explain how we understand music. The book focuses on three cognitive processes - categorization, cross-domain mapping, and the use of the conceptual model.AMS studies in music.Musical perceptionMusical analysisCognitionMusical perception.Musical analysis.Cognition.781/.11Zbikowski Lawrence Michael1529805MiAaPQMiAaPQMiAaPQBOOK9910792231303321Conceptualizing music3774282UNINA03410nam 22004932 450 991016277240332120170605111258.01-78204-928-21-78204-917-710.1515/9781782049173(CKB)3710000001044810(UkCbUP)CR9781782049173(MiAaPQ)EBC4793161(DE-B1597)676549(DE-B1597)9781782049173(EXLCZ)99371000000104481020170215d2017|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierMusic into fiction composers writing, compositions imitated /Theodore ZiolkowskiRochester, NY :Camden House,2017.1 online resource (xi, 248 pages) digital, PDF file(s)Studies in German literature, linguistics, and cultureTitle from publisher's bibliographic system (viewed on 02 Jun 2017).1-57113-973-7 Includes bibliographical references and index.Preface -- Prelude: Introduction. First movement: Composers writing. Weber and Hoffmann -- Berlioz and Schumann -- Wagner -- Transition: Nietzsche and the post-Wagnerians. Burgess -- Second movement: compositions imitated. Compositional forms -- Specific compositions -- Finale: composers setting fictional compositions. Leverkuhn's compositions -- Coda: Conclusion.This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's <I>Goldberg Variations.</I> The "Finale" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel <I>Doktor Faustus.</I> This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers.<BR><BR> Theodore Ziolkowski is ProfessorEmeritus of German and Comparative Literature, Princeton University.<BR><BR>Studies in German literature, linguistics, and culture.Music and literatureMusicians as authorsMusic and literature.Musicians as authors.780/.08Ziolkowski Theodore175033UkCbUPUkCbUPBOOK9910162772403321Music into fiction2787739UNINA