03488nam 2200649Ia 450 991079222710332120230721015321.00-19-029624-00-19-532764-01-281-76966-597866117696660-19-971665-X(CKB)2560000000296511(EBL)415114(OCoLC)476240125(SSID)ssj0000110058(PQKBManifestationID)11127732(PQKBTitleCode)TC0000110058(PQKBWorkID)10059688(PQKB)11552605(StDuBDS)EDZ0000023698(Au-PeEL)EBL415114(CaPaEBR)ebr10254352(CaONFJC)MIL176966(MiAaPQ)EBC415114(EXLCZ)99256000000029651120080214d2008 uy 0engur|n|---|||||txtccrBehind the curtain[electronic resource] making music in Mumbai's film studios /Gregory D. BoothOxford ;New York Oxford University Press20081 online resource (332 p.)Description based upon print version of record.0-19-532763-2 0-19-985205-7 Includes bibliographical references (p. 295-303) and index.Contents; Introduction: Who Is Anthony Gonsalves?; Part I: History, Technology, and a Determinist Milieu for Hindi Film Song; 1 Popular Music as Film Music; 2 Musicians and Technology in the Mumbai Film-Music Industry; 3 Changing Structures in the Mumbai Film Industry; Part II: The Life of Music in the Mumbai Film Industry; 4 Origins, Training, and ""Joining the Line""; 5 Roles, Relations, and the Creative Process; 6 Rehearsals, Recordings, and Economics; Part III: Music, Instruments, and Meaning from Musicians' Perspectives7 Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming8 Issues of Style, Genre, and Value in Mumbai Film Music; Conclusion: Oral History, Change, and Accounts of Human Agency; Notes; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; YIntroduction - Who is Anthony Gonsalves? Part One - History, Technology, and a Determinist Milieu for Hindi Film Song 1. Popular Music as Film Music 3. Changing Structures in the Mumbai Film Industry Part Two - The Life of Music in the Mumbai Film Industry 4. Origins, Training, and ""Joining the Line"" 5. Roles, Relations, and the Creative Process 6. Rehearsals, Recordings, and Economics Part Three - Music, Instruments, and Meaning from Musicians' Perspectives 7. Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming 8. Issues of Style, Genre, and VMotion picture musicProduction and directionIndiaBombayHistoryMotion picture musicIndiaBombayHistory and criticismMotion picture industryIndiaBombayHistoryMotion picture musicProduction and directionHistory.Motion picture musicHistory and criticism.Motion picture industryHistory.781.5Booth Gregory D1584887MiAaPQMiAaPQMiAaPQBOOK9910792227103321Behind the curtain3868980UNINA