02567oam 2200613I 450 991079219230332120230803023618.01-135-10277-50-203-07328-21-299-27877-91-135-10278-310.4324/9780203073285 (CKB)2560000000099190(EBL)1143691(OCoLC)830161477(SSID)ssj0000907614(PQKBManifestationID)11479398(PQKBTitleCode)TC0000907614(PQKBWorkID)10885068(PQKB)10239296(OCoLC)847627527(MiAaPQ)EBC1143691(Au-PeEL)EBL1143691(CaPaEBR)ebr10672737(CaONFJC)MIL459127(OCoLC)900236853(FINmELB)ELB134096(EXLCZ)99256000000009919020180706d2013 uy 0engur|n|---|||||txtccrJustice as improvisation the law of extempore /Sara RamshawAbingdon, Oxon ;New York :Routledge,2013.1 online resource (209 p.)"A GlassHouse Book."1-138-80166-6 0-415-51017-1 Includes bibliographical references and index.Introduction: the law of the extempore -- The rise and reform of the New York City cabaret laws -- Deconstructive legal improvisation -- The wildness of jazz improvisation -- Demystifying improvisation -- The structure-freedom paradox in law -- Justice as improvisation.Justice as Improvisation: The Law of the Extempore theorises the relationship between justice and improvisation through the case of the New York City cabaret laws. Discourses around improvisation often imprison it in a quasi-ethical relationship with the authentic, singular 'other'. The same can be said of justice. This book interrogates this relationship by highlighting the parallels between the aporetic conception of justice advanced by the late French philosopher Jacques Derrida and the nuanced approach to improvisation pursued by musicians and theorists alike in the new and emerging intImprovisation (Music)Improvisation (Music)340.11Ramshaw Sara.1553849MiAaPQMiAaPQMiAaPQBOOK9910792192303321Justice as improvisation3814697UNINA