01144nam a2200253 i 450099100001151970753620020506120401.0010315s1915 it ||| | ita b10634459-39ule_instEXGIL137079ExLBiblioteca Interfacoltàita726.5094575552Coco, Primaldo438409Il Santuario di S. Pietro in Bevagna dipendente dal monastero dei PP. Benedettini d'Aversa :appunti storico-critici con documenti inediti /F. A. Primaldo Coco ; prefazione di F. Ferruccio GuerrieriTaranto :Martinelli & Copeta,1915298 p. ;28 cm.Manduria - Santuario di S. Pietro in BevagnaGuerrieri, Ferruccio.b1063445902-04-1428-06-02991000011519707536LE002 Sal. II B 23 (Fondo Guerrieri)12002000961235le002-E0.00-no 00000.i1072278628-06-02Santuario di S. Pietro in Bevagna dipendente dal monastero dei PP. Benedettini d'Aversa916536UNISALENTOle00201-01-01ma -itait 3101169nam a2200301 i 450099100029368970753620020527111323.0010810s1981 it ||| | ita 8806524801b10057304-39ule_instPARLA218948ExLDip.to Filosofiaita501Prigogine, Ilya12655La nuova alleanza :metamorfosi della scienza /Ilya Prigogine e Isabelle Stengers ; ed. italiana a cura di Pier Daniele NapolitaniTorino :Einaudi,c1981XII, 297 p. ;22 cm.Nuova biblioteca scientifica EinaudiTit. orig.: La nouvelle allianceScienzeStoriaSec. 17.-20.Stengers, Isabelleauthorhttp://id.loc.gov/vocabulary/relators/aut22041Napolitani, Pier Daniele.b1005730417-02-1727-06-02991000293689707536LE005 MF 35 F 1712005000228254le005-E0.00-l- 02120.i1006558127-06-02Nuova alleanza1444393UNISALENTOle00501-01-01ma -itait 3104447oam 2200685Ka 450 991079207930332120190503073412.01-299-22072-X0-262-31309-X(CKB)2560000000098125(EBL)3339572(SSID)ssj0000835558(PQKBManifestationID)12419348(PQKBTitleCode)TC0000835558(PQKBWorkID)10997190(PQKB)11778779(MiAaPQ)EBC3339572(OCoLC)829253306(OCoLC-P)829253306(MaCbMITP)9228(Au-PeEL)EBL3339572(CaPaEBR)ebr10661915(CaONFJC)MIL453322(OCoLC)834620399(EXLCZ)99256000000009812520130307d2013 uy 0engurcn|||||||||txtccrIllusions in motion media archaeology of the moving panorama and related spectacles /Erkki HuhtamoCambridge, Mass. Massachusetts Institute of Technology©20131 online resource (461 p.)Leonardo book seriesDescription based upon print version of record.0-262-01851-9 Includes bibliographical references and index.Preface: The Formation of a Panoramaniac -- Introduction: Moving Panorama - a Missing Medium -- The Incubation Era: Antecedents and Anticipations -- Large as Life, and Moving: The Peristrephic Panorama -- Rolling Across the Stage: The Moving Panorama and the Theatre -- Transformed By The Light: The Diorama and the "dioramas" -- The Panoramania, or The Mid-Century Moving Panorama Craze -- Panoramania in Practice: Albert Smith and his Moving Panoramas -- The Moving Panorama Performance: an Excavation -- Intermedial Tug of War, or Panoramas and Magic Lanterns -- Sensory Bombardment: a Medium's Final Fanfares -- The Discursive Transfiguration of the Moving Panorama -- Conclusion: From Panoramas to Media Culture.Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making.Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a "window" by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.Leonardo BookPanoramasPanoramasPsychological aspectsMass media and culturePopular cultureDIGITAL HUMANITIES & NEW MEDIA/GeneralARTS/Photography & Film/History, Theory & CriticismSOCIAL SCIENCES/Media StudiesPanoramas.PanoramasPsychological aspects.Mass media and culture.Popular culture.751.7/4Huhtamo Erkki1101010OCoLC-POCoLC-PBOOK9910792079303321Illusions in motion3758351UNINA