02299oam 2200421 450 991042603980332120230607204556.03-96821-683-0(CKB)4100000011608811(oapen)https://directory.doabooks.org/handle/20.500.12854/51824(EXLCZ)99410000001160881120201208h20022002 |u| 0gerur||#||||||||txtrdacontentcrdamediacrrdacarrierLiterarische Selbstrefl exion im Medium der Liebe Untersuchungenzur Liebessemantik bei Rousseau und in der europäischen Romantik /Thomas KlinkertNomos Verlagsgesellschaft mbH & Co. KG2002Freiburg im Breisgau:Rombach,2002.©20021 online resource (285 pages) digital file(s)Rombach Wissenschaften : Reihe Litterae,Band 92Print version (paperback): 9783793093084 3793093085 Includes bibliographical references and index.Die These dieses Buches ist, dass die Literatur, die sich bekanntlich im späten 18. Jh. zu einem autonomen Funktionsbereich ausdifferenziert, durch den Entwurf von neuartigen Liebesmodellen nicht nur einen wichtigen Beitrag zur Evolution der gesellschaftlich sanktionierten Rede über Liebe (Liebessemantik im Sinne von Luhmann) leistet, sondern dass sie im Medium der Liebe zugleich sich selbst thematisiert. Liebe wird zur Metapher bzw. Metonymie für Literatur und umgekehrt. Die These wird durch die eingehende Analyse von Texten Jean-Jacques Rousseaus, Friedrich Hölderlins, Ugo Foscolos, Madame de Staëls und Giacomo Leopardis untermauert. Ein wichtiger Ertrag dieser vergleichenden Untersuchung ist der Nachweis einer gesamteuropäischen Gemeinsamkeit der literarischen Rede über Liebe um 1800.Rombach Wissenschaften : Reihe Litterae,Band 92.Love in literatureRomanticismLove in literatureRomanticism809.93354309034Klinkert Thomas790169UkMaJRUBOOK9910426039803321Literarische Selbstrefl exion im Medium der Liebe2110103UNINA04318nam 2200613 a 450 991079199570332120230725021301.00-8047-7581-810.1515/9780804775816(CKB)2560000000072252(EBL)683281(OCoLC)714569463(SSID)ssj0000469570(PQKBManifestationID)12195700(PQKBTitleCode)TC0000469570(PQKBWorkID)10530960(PQKB)10818868(MiAaPQ)EBC683281(DE-B1597)564386(DE-B1597)9780804775816(Au-PeEL)EBL683281(CaPaEBR)ebr10459564(OCoLC)1178769327(EXLCZ)99256000000007225220100622d2011 uy 0engur|n|---|||||txtccrGhosts of revolution[electronic resource] rekindled memories of imprisonment in Iran /Shahla Talebi ; drawings by Soudabeh ArdavanStanford, Calif. Stanford University Press20111 online resource (265 p.)Description based upon print version of record.0-8047-7201-0 Includes bibliographical references.Frontmatter -- Contents -- Prologue -- 1. In the Footsteps of the Giants -- 2. Roya: The Threshold of Imagination and Phantasm -- 3. Fozi: Losing It All -- 4. Kobra: The Gaze of Death -- 5. Innocent Cruelty: Yousuf -- 6. Maryam: A God Who Cried -- Epilogue -- Acknowledgments -- Notes -- Glossary "Opening the enormous metal gate, the guard suddenly took away my blindfold and asked me, tauntingly, if I would recognize my parents. With my eyes hurting from the strange light and anger in my voice, I assured him that I would. Suddenly I was pushed through the gate and the door was slammed behind me. After more than eight years, here I was, finally, out of jail . . . ." In this haunting account, Shahla Talebi remembers her years as a political prisoner in Iran. Talebi, along with her husband, was imprisoned for nearly a decade and tortured, first under the Shah and later by the Islamic Republic. Writing about her own suffering and survival and sharing the stories of her fellow inmates, she details the painful reality of prison life and offers an intimate look at a critical period of social and political transformation in Iran. Somehow through it all—through resistance and resolute hope, passion and creativity—Talebi shows how one survives. Reflecting now on experiences past, she stays true to her memories, honoring the love of her husband and friends lost in these events, to relate how people can hold to moments of love, resilience, and friendship over the dark forces of torture, violence, and hatred. At once deeply personal yet clearly political, part memoir and part meditation, this work brings to heartbreaking clarity how deeply rooted torture and violence can be in our society. More than a passing judgment of guilt on a monolithic "Islamic State," Talebi's writing asks us to reconsider our own responses to both contemporary debates of interrogation techniques and government responsibility and, more simply, to basic acts of cruelty in daily life. She offers a lasting call to us all. "The art of living in prison becomes possible through imagining life in the very presence of death and observing death in the very existence of life. It is living life so vitally and so fully that you are willing, if necessary, to let that very life go, as one would shed chains on the legs. It is embracing, and flying on the wings of death as though it is the bird of freedom."Women political prisonersIranBiographyPolitical persecutionIranHistoryIranPolitics and government1979-1997Women political prisonersPolitical persecutionHistory.365/.45092BTalebi Shahla1957-1469852Ardavān Sūdābah1469853MiAaPQMiAaPQMiAaPQBOOK9910791995703321Ghosts of revolution3681444UNINA