04581nam 2200961Ia 450 991079193240332120230802012715.01-283-00303-197866138232290-520-95384-310.1525/9780520953840(CKB)2560000000089548(EBL)982929(OCoLC)804661973(SSID)ssj0000704928(PQKBManifestationID)11483121(PQKBTitleCode)TC0000704928(PQKBWorkID)10618322(PQKB)10438167(StDuBDS)EDZ0001053955(MiAaPQ)EBC982929(OCoLC)966841736(MdBmJHUP)muse52242(DE-B1597)520071(DE-B1597)9780520953840(Au-PeEL)EBL982929(CaPaEBR)ebr10589869(CaONFJC)MIL382322(EXLCZ)99256000000008954820120403d2012 uy 0engur|n|---|||||txtccrExpression and truth[electronic resource] on the music of knowledge /Lawrence KramerBerkeley University of California Pressc20121 online resource (184 p.)Description based upon print version of record.0-520-27396-6 0-520-27395-8 Includes bibliographical references and index.Frontmatter -- Contents -- Musical Examples -- Acknowledgments -- Opening Soliloquy in lieu of a preface -- ONE. Wittgenstein, Music, and the Aroma of Coffee -- TWO. Speaking Melody -- THREE. Expression and Truth -- FOUR. Melodic Speech -- FIVE. Wittgenstein, Music, and the Tone of Crystal -- Index of Names -- Index of ConceptsExpression and truth are traditional opposites in Western thought: expression supposedly refers to states of mind, truth to states of affairs. Expression and Truth rejects this opposition and proposes fluid new models of expression, truth, and knowledge with broad application to the humanities. These models derive from five theses that connect expression to description, cognition, the presence and absence of speech, and the conjunction of address and reply. The theses are linked by a concentration on musical expression, regarded as the ideal case of expression in general, and by fresh readings of Ludwig Wittgenstein's scattered but important remarks about music. The result is a new conception of expression as a primary means of knowing, acting on, and forming the world."Recent years have seen the return of the claim that music's power resides in its ineffability. In Expression and Truth, Lawrence Kramer presents his most elaborate response to this claim. Drawing on philosophers such as Wittgenstein and on close analyses of nineteenth-century compositions, Kramer demonstrates how music operates as a medium for articulating cultural meanings and that music matters too profoundly to be cordoned off from the kinds of critical readings typically brought to the other arts. A tour-de-force by one of musicology's most influential thinkers."-Susan McClary, Desire and Pleasure in Seventeenth-Century Music.MusicPhilosophy and aestheticsMusic theory17th century music.aesthetics.analysis of classic music.books for history lovers.books for music lovers.classical music.discussion books.easy to read.educational books.engaging.entertainment industry.evolution of music.home school history books.informative books.learning from experts.learning while reading.music and culture.music and psychology.music appreciation.music history.music impact on society.music philosophy.music therapy.music.pass on books.theory literary criticism.MusicPhilosophy and aesthetics.Music theory.781.1/7Kramer Lawrence1946-758984MiAaPQMiAaPQMiAaPQBOOK9910791932403321Expression and truth3690036UNINA