03632oam 2200637I 450 991079186580332120200520144314.01-136-93509-61-136-93510-X1-283-03856-097866130385620-203-84655-910.4324/9780203846551 (CKB)2560000000059627(EBL)574491(OCoLC)707067531(SSID)ssj0000472360(PQKBManifestationID)12212315(PQKBTitleCode)TC0000472360(PQKBWorkID)10435088(PQKB)10747884(OCoLC)710992608(Au-PeEL)EBL574491(CaPaEBR)ebr10452721(CaONFJC)MIL303856(MiAaPQ)EBC574491(EXLCZ)99256000000005962720180706d2011 uy 0engur|n|---|||||txtccrThe principles and practice of modal counterpoint /Douglass Green and Evan JonesNew York :Routledge,2011.1 online resource (329 p.)Description based upon print version of record.0-415-98865-9 0-415-87821-7 Includes bibliographical references and indexes.Book Cover; Title; Copyright; Contents; Foreword; Preface; Chapter 1 Modes and Monophony; Chapter 2 The Single Line; Chapter 3 Counterpoint During the Middle Ages; Chapter 4 First Species in Two Voices; Chapter 5 First Species in Three Voices; Chapter 6 Counterpoint During the Fourteenth Century; Chapter 7 Second Species in Two Voices; Chapter 8 Second Species in Three Voices; Chapter 9 Counterpoint During the Renaissance; Chapter 10 Fourth Species in Two Voices; Chapter 11 Fourth Species in Three Voices; Chapter 12 Texture, Melody, and MeterChapter 13 Further Aspects of Species CounterpointChapter 14 The Melodic Line; Chapter 15 Modal Counterpoint in Two Voices; Chapter 16 Modal Counterpoint in Three Voices; Chapter 17 Modal Counterpoint in Four or More Voices; Chapter 18 The Rise of Tonality in the Seventeenth Century; Epilogue: The Nature of Counterpoint; Answer Boxes for Self-Tests; Appendix A: Some Latin Texts; Appendix B: Pronunciation of Church Latin; Appendix C: Tones and Text of the Magnificat: The Canticle of the Blessed Virgin Mary (Luke 1: 46-55)Appendix D: Facsimile of Parts for Palestrina's Missa Sine Nomine, Agnus IINotes; Select Bibliographies; Index of Rules for Species Counterpoint; Index of Rules for Modal Counterpoint; Index of Musical ExamplesCovering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.CounterpointCounterpoint.781.2/86Green Douglass M(Douglass Marshall),1926-1999.1505154Jones Evan Allan1505155MiAaPQMiAaPQMiAaPQBOOK9910791865803321The principles and practice of modal counterpoint3734610UNINA