02385nam 2200577 a 450 991079180580332120200520144314.00-295-80084-4(CKB)2560000000071135(EBL)3444288(OCoLC)932315121(SSID)ssj0000471736(PQKBManifestationID)11973360(PQKBTitleCode)TC0000471736(PQKBWorkID)10428651(PQKB)10492074(OCoLC)704275938(MdBmJHUP)muse5094(Au-PeEL)EBL3444288(CaPaEBR)ebr10456362(CaONFJC)MIL810522(MiAaPQ)EBC3444288(EXLCZ)99256000000007113520100218d2010 uy 0engur|n|---|||||txtccrNordic exposures[electronic resource] Scandinavian identities in classical Hollywood cinema /Arne LundeSeattle University of Washington Press20101 online resource (233 p.)New directions in Scandinavian studiesDescription based upon print version of record.0-295-99045-7 Includes bibliographical references and index.Racializing Vinland: the Nordic conquest of whiteness in technicolor's The viking -- Scandinavian/American whiteface: ethnic whiteness and assimilation in Victor Sjöström's He who gets slapped -- Hotel Imperial: the border crossings of Mauritz Stiller -- Garbo talks! Scandinavians, the talkie revolution, and the crisis of foreign voice -- Charlie Chan is Swedish: the Asian racial masquerades and Nordic otherness of Warner Oland -- Two-faced women: Hollywood's and Third Reich cinema's war for the Nordic female star.New directions in Scandinavian studies.National characteristics, Scandinavian, in motion picturesMotion picturesUnited StatesHistory20th centuryNational characteristics, Scandinavian, in motion pictures.Motion picturesHistory791.43/6529395Lunde Arne Olav1481966MiAaPQMiAaPQMiAaPQBOOK9910791805803321Nordic exposures3699275UNINA