03908nam 2200685 a 450 991045062080332120210604011721.00-520-92815-61-59734-812-097866124457291-282-44572-310.1525/9780520928152(CKB)1000000000006153(EBL)223044(OCoLC)437143908(SSID)ssj0000223066(PQKBManifestationID)11185304(PQKBTitleCode)TC0000223066(PQKBWorkID)10175640(PQKB)10259065(StDuBDS)EDZ0000084579(MiAaPQ)EBC223044(DE-B1597)520379(OCoLC)52999731(DE-B1597)9780520928152(Au-PeEL)EBL223044(CaPaEBR)ebr10051171(CaONFJC)MIL244572(EXLCZ)99100000000000615320010326d2001 uy 0engurun#---|u||utxtccrThe poetics of rock[electronic resource] cutting tracks, making records /Albin J. Zak IIIBerkeley University of California Pressc20011 online resource (279 p.)Description based upon print version of record.0-520-21809-4 0-520-23224-0 Includes bibliographical references (p. 241-246) and index.Front matter --Contents --Acknowledgments --Introduction --1. Writing Records --2. Tracks --3. Sound As Form --4. Places And Tools --5. Tracking And Mixing --6. Engineers And Producers --7. Resonance --Notes --Glossary --Engineer And Producer Credits --Recordings Cited --Bibliography --IndexAfter a hundred years of recording, the process of making records is still mysterious to most people who listen to them. Records hold a fundamental place in the dynamics of modern musical life, but what do they represent? Are they documents? Snapshots? Artworks? Fetishes? Commodities? Conveniences? The Poetics of Rock is a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records. In it, Albin Zak examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project, and how they all leave their mark on the finished work. Zak shapes an image of the compositional milieu by exploring its elements and discussing the issues and concerns faced by artists. Using their testimony to illuminate the nature of record making and of records themselves, he shows that the art of making rock records is a collaborative compositional process that includes many skills and sensibilities not traditionally associated with musical composition. Zak connects all the topics--whether technical, conceptual, aesthetic, or historical--with specific artists and recordings and illustrates them with citations from artists and with musical examples. In lively and engaging prose, The Poetics of Rock brilliantly illustrates how the musical energy from a moment of human expression translates into a musical work wrought in sound.Rock musicHistory and criticismSound recordingsProduction and directionSoundRecording and reproducingElectronic books.Rock musicHistory and criticism.Sound recordingsProduction and direction.SoundRecording and reproducing.781.66/149Zak Albin850196MiAaPQMiAaPQMiAaPQBOOK9910450620803321The poetics of rock1898504UNINA03908nam 22006972 450 991079178600332120151005020621.01-107-21909-41-283-02910-397866130291020-511-97603-81-139-01166-91-139-01113-81-139-01192-81-139-01086-71-139-01139-1(CKB)2560000000061372(EBL)667584(OCoLC)707068331(SSID)ssj0000470121(PQKBManifestationID)11330414(PQKBTitleCode)TC0000470121(PQKBWorkID)10410061(PQKB)11092252(UkCbUP)CR9780511976032(Au-PeEL)EBL667584(CaPaEBR)ebr10455820(CaONFJC)MIL302910(MiAaPQ)EBC667584(EXLCZ)99256000000006137220101011d2011|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierHuman rights and intellectual property mapping the global interface /Laurence R. Helfer, Graeme W. Austin[electronic resource]Cambridge :Cambridge University Press,2011.1 online resource (xvi, 550 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-71125-8 0-521-88437-3 Includes bibliographical references and index.Machine generated contents note: 1. Mapping the interface of human rights and intellectual property: a conceptual and institutional framework for analysis; 2. The human right to health, access to patented medicines, and the restructuring of global innovation policy; 3. Creators' rights as human rights and the human right of property; 4. Rights to freedom of expression, cultural participation and to benefit from scientific advancements; 5. The right to education and copyright in learning materials; 6. The human right to food, plant genetic resources, and intellectual property; 7. Indigenous peoples' rights and intellectual property; 8. Conclusion.This book explores the interface between intellectual property and human rights law and policy. The relationship between these two fields has captured the attention of governments, policymakers, and activist communities in a diverse array of international and domestic political and judicial venues. These actors often raise human rights arguments as counterweights to the expansion of intellectual property in areas including freedom of expression, public health, education, privacy, agriculture, and the rights of indigenous peoples. At the same time, creators and owners of intellectual property are asserting a human rights justification for the expansion of legal protections. This book explores the legal, institutional, and political implications of these competing claims: by offering a framework for exploring the connections and divergences between these subjects; by identifying the pathways along which jurisprudence, policy, and political discourse are likely to evolve; and by serving as an educational resource for scholars, activists, and students.Human Rights & Intellectual PropertyIntellectual propertyIntellectual property (International law)Human rightsIntellectual property.Intellectual property (International law)Human rights.346.04/8Helfer Laurence R.296409Austin Graeme W.UkCbUPUkCbUPBOOK9910791786003321Human rights and intellectual property3706209UNINA