02228nam 2200649Ia 450 991079167970332120171026195700.01-282-88296-197866128829680-472-02454-X10.3998/mpub.295986(CKB)2560000000053313(EBL)3414953(OCoLC)671648362(SSID)ssj0000420148(PQKBManifestationID)11295546(PQKBTitleCode)TC0000420148(PQKBWorkID)10384638(PQKB)11560987(MiAaPQ)EBC3414953(MdBmJHUP)muse21443(MiU)10.3998/mpub.295986(Au-PeEL)EBL3414953(CaPaEBR)ebr10424695(CaONFJC)MIL288296(dli)HEB31462.0001.001(MiU)MIU01200000000000000000238(EXLCZ)99256000000005331320100331d2010 uy 0engur|||||||nn|ntxtccrI don't sound like nobody remaking music in 1950s America /Albin J. Zak IIIAnn Arbor :University of Michigan Press,2010.1 online resource (325 p.)Tracking popDescription based upon print version of record.0-472-11637-1 Includes bibliographical references, index, and discography.Records on the radio -- Shifting currents in the mainstream -- Hustlers and amateurs -- Crossing over -- Surface noise -- "Hail! hail! rock and roll" -- New traditions.A definitive study of the most important decade in post-World War II popular music historyTracking popMusicUnited States20th centuryHistory and criticismMusic tradeUnited StatesMusicHistory and criticism.Music trade781.640973/09045Zak Albin1501012Michigan Publishing (University of Michigan)MiUMiUBOOK9910791679703321I don't sound like nobody3727966UNINA