02818nam 2200697 450 991079166040332120230529051558.01-4426-9842-X1-4426-9841-110.3138/9781442698413(CKB)2560000000054326(EBL)4672984(SSID)ssj0000482864(PQKBManifestationID)12157340(PQKBTitleCode)TC0000482864(PQKBWorkID)10529186(PQKB)11146965(CEL)435057(CaBNvSL)slc00226145(MiAaPQ)EBC3272749(MiAaPQ)EBC4672984(DE-B1597)465202(OCoLC)1013950817(OCoLC)944176511(DE-B1597)9781442698413(Au-PeEL)EBL4672984(CaPaEBR)ebr11258633(OCoLC)707712873(OCoLC)1380423626(MdBmJHUP)musev2_105826(EXLCZ)99256000000005432620160923h20092009 uy 0engur|n|---|||||txtccrAuthors, audiences, and Old English verse /Thomas A. BredehoftToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2009.©20091 online resource (258 p.)Toronto Anglo-Saxon Series ;5Description based upon print version of record.0-8020-9945-9 Includes bibliographical references and index.Introduction: Authorship and anonymity in Old English verse -- Manuscript audiences and other audiences -- The audience for Saxon songs in the late ninth century -- Literate poetic composition in tenth-century classical poems -- What has lfric to do with Maldon? -- Eleventh-century traditions of formulaic composition -- Conclusion -- Appendix: Two unrecognized late Old English poems.Authors, Audiences, and Old English Verse re-examines the Anglo-Saxon poetic tradition from the eighth to the eleventh centuries and reconsiders the significance of formulaic parallels and the nature of poetic authorship in Old English.Toronto Anglo-Saxon series ;5.English poetryOld English, ca. 450-1100History and criticismEnglish languageOld English, ca. 450-1100VersificationEnglish poetryHistory and criticism.English languageVersification.829.1009Bredehoft Thomas A.770049MiAaPQMiAaPQMiAaPQBOOK9910791660403321Authors, audiences, and Old English verse3744429UNINA