02818nam 2200577Ia 450 991079134820332120230725015526.01-282-62260-997866126226011-84150-389-4(CKB)2560000000011765(EBL)540065(OCoLC)642662004(SSID)ssj0000416148(PQKBManifestationID)11264693(PQKBTitleCode)TC0000416148(PQKBWorkID)10422339(PQKB)11277877(MiAaPQ)EBC540065(Au-PeEL)EBL540065(CaPaEBR)ebr10393326(CaONFJC)MIL262260(EXLCZ)99256000000001176520091014d2010 uy 0engurcn|||||||||txtccrDon't look now[electronic resource] British cinema in the 1970s /edited by Paul NewlandBristol, UK ;Chicago, USA Intellect20101 online resource (282 p.)Description based upon print version of record.1-84150-320-7 Includes bibliographical references and index.Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction: Don't Look Now; Chapter 1: Keynote Lecture, Don't Look Now: British Cinema in the 1970's Conference, University of Exeter, July 2007; Section I: Individuals and the Industry; Section II: On the Margins of British Cinema; Section III: Anxiety and Alienation, Deviance and Desire; Section IV: British Cinema and Television; Section V: British Films and British Filmmakers; Notes on Contributors; IndexWhile postwar British cinema and the British new wave have received much scholarly attention, the misunderstood period of the 1970's has been comparatively ignored. Don't Look Now uncovers forgotten but richly rewarding films, including Nicolas Roeg's Don't Look Now and the films of Lindsay Anderson and Barney Platts-Mills. This volume offers insight into the careers of important film-makers and sheds light on the genres of experimental film, horror, and rock and punk films, as well as representations of the black community, shifts in gender politics, and adaptations of television comedies. ...Motion picturesGreat BritainHistory20th centuryMotion picture industryGreat BritainHistory20th centuryMotion picturesHistoryMotion picture industryHistory384/.8/0941791.43094109047Newland PaulDr.1528804MiAaPQMiAaPQMiAaPQBOOK9910791348203321Don't look now3782229UNINA