02866oam 2200601I 450 991079109560332120230803023031.01-138-98573-20-203-95293-61-135-35075-21-135-35068-X10.4324/9780203952931(CKB)2550000001190279(EBL)1602118(SSID)ssj0001169661(PQKBManifestationID)11748766(PQKBTitleCode)TC0001169661(PQKBWorkID)11153497(PQKB)10137699(OCoLC)874153216(MiAaPQ)EBC1602118(Au-PeEL)EBL1602118(CaPaEBR)ebr10830621(CaONFJC)MIL569700(OCoLC)869095737(OCoLC)897451083(EXLCZ)99255000000119027920180331e20132002 uy 0engur|n|---|||||txtccrTomas Gutierrez Alea the dialectics of a filmmaker /Paul A. SchroederLondon :Routledge,2013.1 online resource (322 p.)Latin American Studies"First published 2002"--T.p. verso.0-415-93664-0 1-306-38449-4 Includes bibliographical references and index.Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgments; Preface; Introduction; Chapter 1: Context; Tomás Gutiérrez Alea: A Sketch; The Immediate Context: ICAIC and the Cuban Revolution; The Broad Context: New Latin American Cinema; Chapter 2: The Early Years: Idealism and Experimentation; Stories of the Revolution; The Twelve Chairs; Cumbite; Death of a Bureaucrat; Chapter 3: Memories Of Underdevelopment: The Dialectics Of Identification and Alienation; Genesis and Reception; Description of the Film; The Viewer's Dialectic; Film as TragedyPostmodern PostscriptChapter 4: The Search for Cuba's "Intra-Historia"; A Cuban Fight Against Demons; The Last Supper: Marxism Meets Christianity; The Survivors; Chapter 5: Up to a Certain Point: Turning the Lens on Himself; Chapter 6: Melodrama and the Crisis of the Revolution; Letters from the Park; Strawberry and Chocolate: Homosexuality, Marxism-Leninism, and Exile; Guantanamera; Chapter 7: Conclusions; The Intellectual; Religion; The Cuban Revolution; Notes; Select Bibliography; indexFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.Latin American studies (Routledge (Firm))791.43/0233/092Schroeder Paul A.1532477FlBoTFGFlBoTFGBOOK9910791095603321Tomas Gutierrez Alea3778631UNINA