02715oam 2200685 450 991079077000332120161228112511.00-472-05204-70-472-02968-110.3998/mpub.3186316(CKB)2550000001161696(EBL)3570508(OCoLC)932325455(SSID)ssj0001058743(PQKBManifestationID)11695956(PQKBTitleCode)TC0001058743(PQKBWorkID)11088830(PQKB)10940720(MiAaPQ)EBC3570508(OCoLC)864380334(MdBmJHUP)muse33049(MiU)10.3998/mpub.3186316(Au-PeEL)EBL3570508(CaPaEBR)ebr10803650(CaONFJC)MIL544790(EXLCZ)99255000000116169620130729d2013 ub 0engur|n|---|||||txtccrDark matter invisibility in drama, theater, and performance /Andrew SoferAnn Arbor :The University of Michigan Press,[2013]1 online resource (242 p.)Theater: theory/text/performanceDescription based upon print version of record.0-472-07204-8 1-306-13539-7 Includes bibliographical references (pages 147-199) and index.How to do things with demons: conjuring performatives in Doctor Faustus -- Quantum mechanicals: desiring bottom in A midsummer night's dream -- Unmasking women: The rover and sexual signification on the Restoration stage -- Unbecoming acts: power, performance, and the self-consuming body in Tennessee Williams's Suddenly last summer -- Bugs in the mind: The archbishop's ceiling and Arthur Miller's prismatic drama -- Invisible wounds: rehearsing trauma on the contemporary stage.Meditations on those entities the audience does not see-and their profound significance in the theaterTheater--text/theory/performance.Offstage action (Drama)Presence (Philosophy)English dramaHistory and criticismAmerican dramaHistory and criticismOffstage action (Drama)Presence (Philosophy)English dramaHistory and criticism.American dramaHistory and criticism.792.01Sofer Andrew1964-1472593Michigan Publishing (University of Michigan)MiUMiUBOOK9910790770003321Dark matter3846430UNINA