04497oam 2200673I 450 991079066170332120230617024819.01-135-87073-X0-87830-171-21-315-05995-91-135-87066-710.4324/9781315059952 (CKB)2550000001128525(EBL)1461040(OCoLC)870591002(SSID)ssj0001003608(PQKBManifestationID)12412335(PQKBTitleCode)TC0001003608(PQKBWorkID)11046121(PQKB)11211591(MiAaPQ)EBC1461040(Au-PeEL)EBL1461040(CaPaEBR)ebr10781169(CaONFJC)MIL529159(OCoLC)860711699(EXLCZ)99255000000112852520180706d2003 uy 0engur|n|---|||||txtccrGorilla theatre a practical guide to performing the new outdoor theatre anytime, anywhere /Christopher Carter SandersonNew York :Routledge,2003.1 online resource (209 p.)"A Theatre Arts book."0-87830-170-4 1-299-97908-4 Includes bibliographical references (pages 181-182) and index.Cover ; Half-title; Title Page; Copyright Page; Dedication ; Table of Contents; Foreword ; Acknowledgments; Introduction: About Gorilla Repertory Theatre Company, Inc; 1. Concept and Location; Inspiration; Read Plays, Shakespeare First; List Plays; Tour Sites; List Sites with Pros and Cons; 2. Scouting; Organizations That Can Help; Rights of Free Speech and Assembly; Working Conditions for the Actors and Personnel; Mapping the Site; 3. Establishing Corporate Culture; Observations; Responding to Conflicts; Running Effective Meetings; 4. Casting; Ideas and IdealsRespect for Actors and Demands of the FormEnthusiasm for the Form; Character Basics and Physical Motion; Working in Further Detail; Techniques and Scheduling; Callback Practices and Forms; 5. Rehearsal Techniques; Introduction: Use What You Know; How Do You See?; Respect for the Audience; Respect for the Text; The Character Meeting: Establishing Individual Communication; Scheduling Rehearsal; The Three-Phase Technique: Improvisation, Work-Through, and Staging; Run-Throughs; Adapting Indoor Techniques to Outdoor Uses; A Note; 6. The Paratheatric Rehearsal Technique; Brief DescriptionEarly ExperimentsScouting and Booking; Logistic; Schedule; Blazing and Establishing Safe Practices; Improvisation Suggestions for Day One and Day Two; The Bonfire: Metaphor and Practice; Night Exercises; The Paratheatric Run; Examples of Staging Brought Back; Integrating Paratheatric Discoveries; Variations and How to Invent New Paratheatric Rehearsal Procedures; 7. On-Site Directing and Operational Practices; Practicing Nonconfrontational Conflict Resolution; Cut Procedure; The Role of the Director in Performance; 8. Organizational Approaches; Mission Statement and IncorporationWorking with VolunteersInterns; Publicity: Homemade and Professional; Sponsorship; Permits, Contracts, and Letters of Agreement; Working with Designers; Working with an Assistant; Working with Crews; Trucks and Trucking; Notes for the Producer; 9. Documentation Practices; Documentarian; Photo Strategies; Video Strategies; Archiving: Print, Video, and Mailing Lists; 10. Design Issues and Aesthetic Practice; Lighting; Props; Sets; Stage Fighting; 11. Indoor Environmental or Action Theatre; Design Issues; Audience Changes and Pressures; Examples; 12. Moving a Show; Feel of the ShowMoving A Midsummer Night's Dream: "Get Puck!" and Other Stories13. Notes and Observations; Dialogue with Criticism; Relationship to Academia; Sibling Institutions; 14. Spirituality; Bibliography; IndexFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.Gorilla theaterActingTheaterProduction and directionActing.TheaterProduction and direction.792/.028Sanderson Christopher Carter1965-,1541617MiAaPQMiAaPQMiAaPQBOOK9910790661703321Gorilla theatre3793935UNINA