03587oam 2200661I 450 991079065660332120230617025019.01-136-55712-11-315-01824-10-415-84666-81-136-55705-910.4324/9781315018249 (CKB)2550000001131210(StDuBDS)AH25705268(SSID)ssj0001154696(PQKBManifestationID)11608903(PQKBTitleCode)TC0001154696(PQKBWorkID)11176755(PQKB)10518962(MiAaPQ)EBC1474593(Au-PeEL)EBL1474593(CaPaEBR)ebr10786481(CaONFJC)MIL530919(OCoLC)862048968(OCoLC)900481860(FINmELB)ELB137874(EXLCZ)99255000000113121020180331e20051980 uy 0engur|||||||||||txtccrComic transformations in Shakespeare /Ruth NevoOxon [England] :Routledge,2005.1 online resource (256 p.)Routledge library editions. Shakespeare : comediesFirst published in 1980.0-415-35270-3 1-299-99668-X Includes bibliographical references and index.1. Shakespeare's New Comedy 2. 'My glass and not my brother' 3. 'Kate of Kate Hall' 4. The Two Gentlemen of Verona 5. Navarre's world of words 6. Fancy's images 7. Jessica's monkey; or, The Goodwins 8. The case of Falstaff and the Merry Wives 9. 'Better than reportingly' 10. Existence in Arden 11. Nature's bias 12. Comic remedies 13. Appendix: Scanning a Shakespeare playIn this study of Shakespeare's ten early comedies, from 'The Comedy of Errors' to 'Twelfth Night', the concept of a dynamic of comic form is developed.First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night , the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal complexity and their naturalistic verisimilitude. First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night , the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal complexity and their naturalistic verisimilitude.Routledge library editions.Shakespeare ;5.Humorous playsComic, TheHumorous plays.Comic, The.251Nevo Ruth.450065MiAaPQMiAaPQMiAaPQBOOK9910790656603321Comic transformations in Shakespeare3792240UNINA