04158nam 2200745 a 450 991045252180332120200520144314.01-62303-003-X(CKB)2550000001100278(EBL)1274430(OCoLC)852759376(SSID)ssj0000916988(PQKBManifestationID)11524416(PQKBTitleCode)TC0000916988(PQKBWorkID)10878363(PQKB)10055890(MiAaPQ)EBC1274430(Au-PeEL)EBL1274430(CaPaEBR)ebr10733802(CaONFJC)MIL504704(EXLCZ)99255000000110027820101022d2010 uy 0engurcn|||||||||txtccrMoni Odigitria[electronic resource] a prepalatial cemetery and its environs in the Asterousia, southern Crete /by Andonis Vasilakis and Keith Branigan ; with contributions by Tim Campbell-Green ... [et al.]Philadelphia, Pa. INSTAP Academic Press20101 online resource (609 p.)Prehistory monographs ;30Description based upon print version of record.1-931534-58-6 1-299-73453-7 Includes bibliographical references and indexes.Survey of the environs around the Tholos Cemetery /Keith Branigan and Andonis Vasilakis --Appendix : The Roman pottery /Jane Francis --Excavation and architecture of the cemetery /Andonis Vasilakis --The pottery assemblage : data and analysis /Keith Branigan and Tim Campbell-Green --Interpretation of the pottery assemblage /Keith Branigan and Tim Campbell-Green --Metalwork /Keith Branigan --Of blades and burials, flakes and funerals : the chipped stone from Moni Odigitria /Tristan Carter --Stone vases and tools /Doniert Evely --Jewelry and other small finds /Flora Michelaki and Andonis Vasilakis --Seals from the cemetery /Kostas Sbonias --Analysis of the human bones /Sevi Triantaphyllou --History and use of the cemetery /Keith Branigan --The Hagiopharango in the early Bronze Age /Keith Branigan and Andonis Vasilakis --[To come] /Andonis Vasilakis --Concordance A : Omades, trenches, areas, and strata from the 1980 excavation of Tholos B --Concordance B : Herakleion Museum numbers and catalog numbers for all types of objects --Concordance C : Catalog and Herakleion Museum numbers for all types of objects.This volume presents the final report on the excavation of two Prepalatial tholos tombs and their associated remains at Chatzinas Liophyto near the Moni Odigitria (monastery) in south-central Crete. The grave goods and burial remains include pottery, metal objects, chipped stones, stone vases, gold and stone jewelry, sealstones, and human skeletal material. The results of the associated survey of the upper catchment of the Hagiopharango region are also reported. The book finishes with a reappraisal of our understanding of the early settlement of the Hagiopharango and a Greek summary.Prehistory MonographsCemeteriesGreeceCreteTombsGreeceCreteExcavations (Archaeology)GreeceCreteBronze ageGreeceCreteHuman remains (Archaeology)GreeceCreteMaterial cultureGreeceCreteMinoansGreeceCreteAntiquitiesCrete (Greece)AntiquitiesElectronic books.CemeteriesTombsExcavations (Archaeology)Bronze ageHuman remains (Archaeology)Material cultureMinoansAntiquities.939/.18Vasilakēs Antōnēs931264Branigan Keith188293Campbell-Green Tim931265MiAaPQMiAaPQMiAaPQBOOK9910452521803321Moni Odigitria2094999UNINA05279oam 2200685I 450 991079065510332120230617024641.01-136-55936-10-415-85287-01-315-01832-21-136-55929-910.4324/9781315018324 (CKB)2550000001131244(EBL)1474504(OCoLC)870591157(SSID)ssj0001154706(PQKBManifestationID)11631194(PQKBTitleCode)TC0001154706(PQKBWorkID)11163457(PQKB)10507767(MiAaPQ)EBC1474504(Au-PeEL)EBL1474504(CaPaEBR)ebr10786568(CaONFJC)MIL530953(OCoLC)868308504(FINmELB)ELB137880(EXLCZ)99255000000113124420180331e20051968 uy 0engur|n|---|||||txtccrA commentary on Shakespeare's Richard III /Wolfgang ClemenOxon [England] :Routledge,2005.1 online resource (270 p.)Routledge library editions. Shakespeare : critical studies ;8Routledge library editions.ShakespeareFirst published in 1968.0-415-35279-7 1-299-99702-3 Cover; A COMMENTARY ON SHAKESPEARE'S RICHARD III; Original Title Page; Original Copyright Page; Title Page; Copyright Page; Table of Contents; PREFATORY NOTE; INTRODUCTION; Act I; SCENE ONE; General Structure; The Opening Soliloquy; The Pre-Shakespearian Opening Soliloquy; Dialogue-Technique in the Episodes with Clarence and Hastings; Forms of Irony in I, i; The Language of the Dialogue; Richard's Soliloquies; Exposition within the Scene; SCENE TWO; Anne's Soliloquy; The Address as a Means of Irony; Anne's Speech of Imprecation; The Technique of the Dialogue; Richard's TacticsThe 'Conversion-Speech'Psychological Development; Richard's Concluding Soliloquy; Conversion-Scenes and Wooing-Scenes in Pre-Shakespearian Drama; SCENE THREE; Structure; The Opening Episodes; Richard's Entry and Behaviour; Richard's Use of Language; Margaret; Margaret and the Stage Action; Simultaneous Staging in Pre-Shakespearian Drama; Linguistic Structure; Richard as the Instrument of Nemesis; Past and Future Dramatically Portrayed; The Curses; Curses in Pre-Shakespearian Drama; Warnings and Prophecies; Margaret's Final Curse; Richard's Soliloquy; The Interlude with the MurderersIncitement to Murder in Pre-Shakespearian DramaSCENE FOUR; The 'Self-Contained' Scene in Shakespeare's Plays; The Place of the Scene in the Dramatic Structure; The Composition of the Scene; Clarence's Dream; The Journey to the Underworld; Comparison with Richard's Dream in V, iii; Dramatization of the Dream-Narrative; The Dream: Language and Versification; Dreams in Pre-Shakespearian Drama; Brakenbury's Monologue; The Murder-Scene; The Conversation on Conscience; The Dialogue with Clarence; Murder-Scenes in Pre-Shakespearian Drama; Act II; SCENE ONE; The Reconciliation-SceneTechnique of RepetitionIrony and Ambiguity; Richard's Entry; The Derby-Episode as a 'Mirror-Scene'; The King's Final Speech; SCENE TWO; The Opening: The Children; Children in Elizabethan Drama; The Lament; Richard's Entry; Buckingham's Speech; SCENE THREE; The Time-Element in Richard III; II, iii as a Choric Scene; II, iii as a Mirror-Scene; Structure and Themes; Anticipation and Foreboding; The Use of Proverbs; Recurrent Key-Words; SCENE FOUR; Portrayal of Richard; References to Time and Place; Dialogue-Technique; The Messenger; Language and Style of the Passionate Rhetorical Speech; Act IIISCENE ONEStructure of the Scene; The Arrival in London; The Discussion of Sanctuary; The Discussion about Caesar; Richard and the Figure of Vice; The Talk with York; Forms of Irony; Versification; Final Section; SCENE TWO; The Messenger's Entry; Stanley's Dream; The Catesby-Episode: Ironic Contrast; The Tower as a Scene of Action; SCENE THREE; Treatment of a Minor Episode; The Spectacle and the Text; Turning-Point in the Action; SCENE FOUR; Hastings' Rôle and Dramatic Irony; Richard's Entry; The Reversal of the Situation; Hastings' Epilogue; Scene-Endings in Richard III; SCENE FIVEContrast as a Structural ElementFirst published in 1968.<BR> <BR> Providing a detailed and rigorous analysis of Richard III, this <EM>Commentary</EM> reveals every nuance of meaning whilst maintaining a firm grasp on the structure of the play. The result is an outstanding lesson in the methodology of Shakespearian criticism as well as an essential study for students of the early plays of Shakespeare.Routledge library editions.Shakespeare ;8.Kings and rulers in literatureGreat BritainIn literatureKings and rulers in literature.270Clemen Wolfgang.166698FlBoTFGFlBoTFGBOOK9910790655103321Commentary on Shakespeare's Richard III517371UNINA