02939nam 2200649Ia 450 991034822170332120170815122449.01-134-42318-71-280-54324-897866105432430-203-96558-2(CKB)1000000000360272(EBL)273796(OCoLC)275314659(SSID)ssj0000205110(PQKBManifestationID)11189523(PQKBTitleCode)TC0000205110(PQKBWorkID)10192320(PQKB)10923877(MiAaPQ)EBC273796(EXLCZ)99100000000036027220050325d2006 uy 0engur|n|---|||||txtccrMoney and exchange[electronic resource] folktales and reality /Sasan FayazmaneshNew York, N.Y ;London Routledge20061 online resource (170 p.)Routledge studies in the history of economics ;77Description based upon print version of record.0-415-65563-3 0-415-29974-8 Includes bibliographical references and index.Book Cover; Half-Title; Series-Title; Title; Copyright; Contents; Acknowledgments; 1 Introduction; 2 The first community and the equation of exchange; 3 The sons of Adam, justice in exchange, and the medieval economy; 4 The bartering savage and the equation of exchange; 5 Primitive communities, the equation of exchange, and proper point of departure; 6 Mademoiselle Zelie and the ""scientific"" theory of exchange; 7 Neo-Walrasianism, the matrix of exchange, and beyond; 8 Conclusion; Notes; References; IndexWhether a theoretical system is realistic or not has been a concern in economics, particularly in monetary theory, over the past century. Following John R. Hicks' proposal that a realistic monetary theory could be constructed along an evolutionary path, starting with the workings of a real market, this volume considers whether we can look to the medieval economy as the point of departure. Drawing upon the work of Aristotle, scholastic economists, Adam Smith, Karl Marx, William Stanley Jevons, Léon Walras and many modern monetary theorists, this intriguing book provides a critiRoutledge studies in the history of economics ;77.ExchangeHistoryExchangeMoneyHistoryMoneyElectronic books.ExchangeHistory.Exchange.MoneyHistory.Money.332.4332.49Fayazmanesh Sasan1950-240754MiAaPQMiAaPQMiAaPQBOOK9910348221703321Money and exchange1965176UNINA04523nam 2200457 a 450 991079059200332120200520144314.01-61147-001-3(CKB)2550000001111633(EBL)1342596(OCoLC)855969922(Au-PeEL)EBL1342596(CaPaEBR)ebr10750906(CaONFJC)MIL511525(MiAaPQ)EBC1342596(EXLCZ)99255000000111163320130910d2011 uy 0engurcn|||||||||"What may words say ...?"[electronic resource]a reading of The merchant of Venice /Inge LeimbergMadison, N.J. Fairleigh Dickinson University Press ;Lanham, Md. Co-published with Rowman & Littlefield Pub. Groupc20111 online resource (294 p.)Description based upon print version of record.1-61147-000-5 1-299-80274-5 Includes bibliographical references and index.""WHAT MAY WORDS SAY...?""; Contents; Preface; Beginning to read; 1. ""What do you call the play?""; 2. ""Good sentences . . .""; Act 1: The Merchant and the Maxims; Scene 1. ""otherwise friendship would bee a meere merchandise . . .""; 1-7 Know thyself; 8-68 ""I know Antonio / Is sad . . .""; 69-112 ""A stage, where every man must play a part . . .""; 113-160 ""Then do but say to me what I should do . . .""; 161-185 ""To have it of my trust . . .""; Scene 2. ""choose you this day whom you will serve""; 1-9 Nothing too much; 10-97 A conversational chain of themes; ""to be seated in the mean""""what were good to do""""O me the word 'choose'!""; 32-98 Interlude: ""these princely suitors""; 99-128 ""the will of a living daughter curb'd by the will of a dead father""; ""How to choose right . . .""; ""my father's will""; Scene 3. ""Be not thou one . . . of those who are sureties for debts""; ""Enter Bassanio with Shylock the Jew"" Harme is at hande; 1 ""three thousand ducats""; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 ""Antonio shall become bound, well""; 11-34 ""he is sufficient""; 35-47 ""possessed with murd'rous hate""47-65 ""I do never use it""66-97 ""I make it breed as fast""; 59 ""the breach of custom is breach of all""; 98-138 The Golden Rule; 138-175 ""How feel you yourself my friend? . . .""; 176-177 ""And forgive us our debts . . .""; Act 2: Departure; Scene 1. ""what braggardism is this?""; Scene 2. ""Give him a livery""; 1-30 ""An enemy may chance to give good counsel""; 31-35 ""this is my true-begotten father""; 36-95 ""it is a wise father that knows his own child""; 95-148 ""I have brought him a present""; 149-160 ""Such beginning, such end""; 161-197 Epilogue: ""Something too liberal""Scene 3. ""Farewell good Launcelot""Scene 3. (continued). ""We paint the devil foul . . .""; Scene 4. ""Will you prepare you for this masque to-night?""; Scene 5. ""Lock up my doors . . .""; Scene 6. ""No masque tonight . . .""; 1-21 ""Haste makes waste""; 22-25 ""Here dwells my father Jew""; 26-32 ""Who are you?""; 33-50 ""catch this casket""; 51-59 ""wise, fair, and true""; 60-68 ""the wind is come about""; Scene 7. ""I stand for sacrifice""; Scene 8. ""by some nuntius to recount the things""; Scene 9. ""Hanging and wiving goes by destiny""1-84 ""I will use them according to their desert""85-101 ""he bringeth sensible regreets""; Act 3: The Choice; Scene 1. ""if you wrong us shall we not revenge?""; 1-66 ""The villainy you teach me I will execute""; 67-120 ""thou torturest me Tubal""; Scene 2. ""If you do love me, you will find me out""; 1-24 ""I pray you tarry""; 24-38 ""Promise me life . . .""; 39-41 ""Suit the action to the word""; 42-53 ""Let music sound . . .""; 53-62 ""while he doth make his choice""; 63-72 ""Tell me where is fancy bred?""; 73 ""So may the outward shows be least themselves""'What may words say_?' contains a comprehensive and in many respects unconventional interpretation of The Merchant of Venice. The play's development of ideas is unfolded in a literary analysis that focuses on the poet's words in their philological, historical, and philosophical contexts.822.3/3Leimberg Inge1544734MiAaPQMiAaPQMiAaPQBOOK9910790592003321"What may words say ...?"3799170UNINA