05696nam 2200721 450 991079054870332120230803021657.090-272-7168-2(CKB)2550000001117337(EBL)1394969(SSID)ssj0001000091(PQKBManifestationID)11541167(PQKBTitleCode)TC0001000091(PQKBWorkID)10943539(PQKB)10224503(MiAaPQ)EBC1394969(Au-PeEL)EBL1394969(CaPaEBR)ebr10767250(CaONFJC)MIL517775(OCoLC)858654030(EXLCZ)99255000000111733720130513h20132013 uy| 0engur|n|---|||||txtccrThe ethics of literary communication genuineness, directness, indirectness /edited by Roger D. Sell, Adam Borch, Inna Lindgren, Åbo Akademi UniversityAmsterdam :John Benjamins Publishing Company,[2013]©20131 online resource (283 p.)Dialogue studies ;volume 19Description based upon print version of record.90-272-1036-5 1-299-86524-0 Includes bibliographical references and index.The Ethics of Literary Communication; Editorial page; Title page; LCC data; Dedication page; Table of contents; Acknowledgements; Contributors; 1. Introduction; 1. Interdisciplinary aims; 2. Literature and communicational ethics; 3. Main findings; 4. In conclusion; References; 2. Herbert's considerateness: A communicational assessment; References; 3. "Not my readers but the readers of their own selves": Literature as communication with the self i; 1. The Narrator's stated aim; 2. 'Literature', 'self', 'message'; 3. "It seemed to me that I myself was what the book was talking about"References4. Intersubjective positioning and community-making: E. E. Cummings's Preface to his Collected Poems; 1. Targeting and creating a literary audience; 2. Theoretical background; 3. Courtship; 4. Commandeering; 5. Real readers and dialogical response; References; 5. Genuine and distorted communication in autobiographical writing: E. M. Forster's "West Hackhurst"; 1. An undervalued text?; 2. Genesis, structure and first impressions; 3. The Memoir Club as a literary site; 4. Literary artistry in autobiographical writing; 5. An honest portrait of communicational failure6. Conclusion: Bigger than it seemsReferences; 6. Women and the public sphere: Pope's addressivity through The Dunciad; 1. Introduction; 2. A personal address and its consequences; 3. Comparing notes about communication; 4. Impolite genuineness; References; 7. Kipling, his narrator, and public interest; 1. The narrator in the stories; 2. Kipling in the autobiography; 3. A community founded on public interest; References; 8. Call and response: Autonomy and dialogicity in Isaac Bashevis Singer's The Penitent; 1. The narrative framework and communicational ethics; 2. Religion and literature3. From Socrates to AristotleReferences; 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot; 1. Introduction; 2. Blake's "The Tyger": The act of creation questioned; 3. Meeting apart in Emily Dickinson's "I cannot live with You"; 4. Prufrock's imaginary walk: Recurrent and local techniques; 5. Conclusion; References; Appendix 1; Appendix 2; 10. Metacommunication as ritual: Contemporary Romanian poetry; 1. Introduction; 2. A framework for poetic (meta)communication; 3. Communicational pathology and cultural resistance; 4. Literary resistance5. Patterns of response to totalitarian discourse6. Conclusions; References; Appendix; 11. Terminal aposiopesis and sublime communication: Shakespeare's Sonnet 126 and Keats's "To Autumn"; 1. "The vice of writing"; 2. Terminal aposiopesis and its triple challenge; 3. Two cases in point; 4. Absolute sublimity and contextless communication; References; 12. The utopian horizon of communication: Ernst Bloch's Traces and Johann-Peter Hebel's Treasure Che; 1. Introduction; 2. Literature as communication; 3. Bloch: Traces of the ultimate; 4. The "we-problem"5. Johann-Peter Hebel: The calendar story as a place of opennessViewing literature as one among other forms of communication, Roger D. Sell and his colleagues evaluate writer-respondent relationships according to the same ethical criterion as applies for dialogue of any other kind. In a nutshell: Are writers and readers respecting each other's human autonomy? If and when the answer here is "Yes!", Sell's team describe the communication that is going on as 'genuine'. In this latest book, they offer new illustrations of what they mean by this, and ask whether genuineness is compatible with communicational directness and communicational indirectness. Is thereDialogue studies ;v. 19.Discourse analysis, LiteraryCommunication in literatureLanguage and ethicsLiteraturePhilosophyDiscourse analysis, Literary.Communication in literature.Language and ethics.LiteraturePhilosophy.808.001/4Sell Roger D454878Borch Adam1497432Lindgren Inna1497433MiAaPQMiAaPQMiAaPQBOOK9910790548703321The ethics of literary communication3722526UNINA