04752oam 2200733I 450 991079018620332120230713035157.01-136-59204-00-203-18147-61-136-59205-910.4324/9780203181478(CKB)2670000000162042(EBL)957740(OCoLC)798534033(SSID)ssj0000716350(PQKBManifestationID)11454998(PQKBTitleCode)TC0000716350(PQKBWorkID)10718224(PQKB)10595705(MiAaPQ)EBC957740(Au-PeEL)EBL957740(CaPaEBR)ebr10542236(CaONFJC)MIL761506(OCoLC)782918669(FINmELB)ELB138833(EXLCZ)99267000000016204220180706d2012 uy 0engur|n|---|||||txtccrPostcolonial cinema studies /edited by Sandra Ponzanesi and Marguerite WallerAbingdon, Oxon ;New York, N.Y. :Routledge,2012.1 online resource (273 p.)Description based upon print version of record.Print version: Postcolonial cinema studies. Abingdon, Oxon ; Routledge, 2012. (OCoLC)659750847 0-415-78229-5 0-415-78228-7 Includes bibliographical references and index.Contents -- Figures -- Contributors -- Acknowledgments -- Introduction -- Part I : Cinemas of empire -- Introduction to Part I -- Chapter 1: Italian Fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic -- Chapter 2: Blackface, faciality, and colony nostalgia in 1930s empire films -- Chapter 3: The socialist historical film -- Part II : Postcolonial cinemas: Unframing histories -- Introduction to Part II -- Chapter 4: From otherness "over there" to virtual presence: Camp de Thiaroye - The Battle of Algiers - Hidden -- Chapter 5: Fraught frames: Fatima, L'Algérienne de Dakar and postcolonial quandariesChapter 6: Postcolonial relationalities in Philippe Faucon's Dans la vie -- Chapter 7: The postcolonial condition of "Indochinese" cinema from Viet Nam, Cambodia, and Laos -- Part III : Postcolonial cinemas: postcolonial aesthetics -- Introduction to Part III -- Chapter 8: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation -- Chapter 9: The aesthetics of postcolonial cinema in Raul Ruiz's Three Crowns of the Sailor -- Chapter 10: The postcolonial circus: Maurizio Nichetti's Luna e l'altraChapter 11: Postcolonial adaptations: gained and lost in translation -- Part IV : Postcolonial cinemas and globalization -- Introduction to Part IV -- Chapter 12: Unpeople: postcolonial reflections on terror, torture and detention in Children of Men -- Chapter 13: Mira Nair's Monsoon Wedding and the transcoded audiologic of postcolonial convergence -- Chapter 14: Nollywood in transit: The globalization of Nigerian video culture -- Chapter 15: Postface: An interview with Priya Jaikumar -- Index.This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epistemology.Current circumstances of migration and immigration, militarization, economic exploitation, racial and religious conflict, enactments of citizenship, and cultural self-representation have deep roots in colonial/postcolonial/neoMotion picturesPolitical aspectsImperialism in motion picturesNationalism in motion picturesIntercultural communication in motion picturesCulture in motion picturesMulticulturalism in motion picturesMotion pictures and globalizationMotion picturesPolitical aspects.Imperialism in motion pictures.Nationalism in motion pictures.Intercultural communication in motion pictures.Culture in motion pictures.Multiculturalism in motion pictures.Motion pictures and globalization.791.43/6581Ponzanesi Sandra1967-1462597Waller Marguerite R.1948-1462598MiAaPQMiAaPQMiAaPQBOOK9910790186203321Postcolonial cinema studies3671629UNINA