01399nam 2200457 450 991027094410332120230814221014.01-119-48928-81-119-48936-91-119-48929-6(CKB)3840000000341014(MiAaPQ)EBC5261379(Au-PeEL)EBL5261379(CaPaEBR)ebr11509247(OCoLC)1020492658(EXLCZ)99384000000034101420180302h20182018 uy 0engurcnu||||||||rdacontentrdamediardacarrierBig data for insurance companies /edited by Marine Corlosquet-Habart, Jacques JanssenHoboken, New Jersey :Wiley,2018.©20181 online resource (142 pages) illustrations (some color), tablesBig Data, Artificial Intelligence and Data Analysis Set ;Volume 11-78630-073-7 Includes bibliographical references at the end of each chapters and index.Big dataBig data.005.7Corlosquet-Habart MarineJanssen JacquesMiAaPQMiAaPQMiAaPQBOOK9910270944103321Big data for insurance companies2088533UNINA03421nam 22007212 450 991079007620332120151005020621.01-107-22059-91-139-06367-71-283-11304-X97866131130471-139-07602-71-139-07028-21-139-08058-X1-139-07829-10-511-75759-X1-139-08285-X(CKB)2670000000088913(EBL)691940(OCoLC)727649221(SSID)ssj0000523651(PQKBManifestationID)11366854(PQKBTitleCode)TC0000523651(PQKBWorkID)10542753(PQKB)10488234(UkCbUP)CR9780511757594(MiAaPQ)EBC691940(Au-PeEL)EBL691940(CaPaEBR)ebr10470731(CaONFJC)MIL311304(PPN)199803595(EXLCZ)99267000000008891320100426d2011|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierJihad in the west the rise of militant salafism /Frazer Egerton[electronic resource]Cambridge :Cambridge University Press,2011.1 online resource (vi, 222 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-17581-X 1-107-00282-6 Includes bibliographical references and index.Machine generated contents note: Introduction; 1. Mad Mullah or freedom fighter? What is a militant Salafist?; 2. What is wrong with these people?; 3. Taking us everywhere: the role of the political imagery; 4. (Hyper)media and the construction of the militant community; 5. Movement: from actual to ideological; 6. Why me? The role of broader narratives and intermediaries; Conclusion.Militant Salafism is one of the most significant movements in politics today. Unfortunately its significance has not been matched by understanding. To begin to address this knowledge deficit this book argues that, rather than the largely unhelpful pursuit of individual 'root causes' offered in much of the literature, we would be better served by looking at the factors that have enabled and facilitated a particular political imaginary. That political imaginary is one that allows individuals to conceive of themselves as integral members of a global battle waged between the forces of Islam and the West, something that lies at the heart of militant Salafism. Frazer Egerton shows how the ubiquity of modern media and the prevalence of movement have allowed for a transformation of existing beliefs into an ideology supportive of militant Salafism against the West amongst Western Muslims.JihadSalafīyahTerrorismReligious aspectsIslamIslamic fundamentalismJihad.Salafīyah.TerrorismReligious aspectsIslam.Islamic fundamentalism.363.32509182/1Egerton Frazer1977-1493037UkCbUPUkCbUPBOOK9910790076203321Jihad in the west3715859UNINA05134nam 2200625Ia 450 991096140100332120200520144314.00-19-028724-10-19-802578-51-280-53212-21-4237-4643-01-60256-692-5(CKB)1000000000363075(StDuBDS)AH24085082(SSID)ssj0000207532(PQKBManifestationID)11202247(PQKBTitleCode)TC0000207532(PQKBWorkID)10236960(PQKB)10286883(Au-PeEL)EBL2033549(OCoLC)958550736(OCoLC)1355705297(FINmELB)ELB165456(MiAaPQ)EBC279432(MiAaPQ)EBC2033549(EXLCZ)99100000000036307520010827d2000 uy 0engur|||||||||||txtccrMyself when I am real the life and music of Charles Mingus /Gene Santoro1st ed.New York ;Oxford Oxford University Pressc20001 online resource (x, 452 p., [16] p. of plates ) ill., portsOriginally published: 2000.Includes index.0-19-509733-5 0-19-514711-1 Includes bibliographical references and index.Preface; Introduction; Prologue: Better Get It In Your Soul; 1. Growing Up Absurd; 2. Black Like Me; 3. Making the Scene; 4. Life During Wartime; 5. Portrait of the Artist; 6. The Big Apple, or On the Road; 7. Pithecanthropus Erectus; 8. Mingus Dynasty; 9. Camelot; 10. The Black Saint and the Sinner Lady; 11. One Flew over the Cuckoo's Nest; 12. Beneath the Underdog; 13. Let My Children Hear Music; 14. Changes; 15. Don't Be Afraid, the Clown's Afraid, Too; Notes; Bibliography; Discography; Acknowledgements; IndexMusic critic Gene Santoro strips away the myths shrouding jazz's angry man, revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain.A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spannig gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks. But Mingus got headlines less for his art than for his volatile and often provocative behaviour, which drew fans who wanted to watch his temper suddenly flare onstage. Keeping up with the organized chaos of Mingus's art demanded gymnastic improvisational skills and openness from his musicians, which is why some of them called it "the Sweatshop". He hired and fired musicians on the bandstand, attacked a few musicians physically and many more verbally, twice threw Lionel Hampton's drummer off the stage, and routinely harangued chattering audiences, once chasing a table of inattentive patrons out of the FIVE SPOT with a meat cleaver. But the musical and mental challenges this volcanic man set his bands also nurtured deep loyalties. Jey sidemen stayed with him for years and even decades. In this biography, Santoro probes the sore spots in Mingus's easily wounded nature that helped make him so explosive: his bullying father, his interracila background, his vulnerability to women and distrust of men, his views of political and social issues, his overwhelming need for love and acceptance. Of black, white, and Asian decent, Mingus made race a central issue in his life as well as a crucial aspect of his music, becoming an outspoken (and often misunderstood) critic of racila injustice. Santoro gives us a vivid portrait of Mingus's development, from the racially mixed Watts where he mingled with artists and writers as well as mobsters, union toughs, and pimps to the artistic ferment of postwar Greenwich Village, where he absorbed and extended the radical improvistation flowing through the work of Allen Ginsbert, Jackson Pollock, and Charlie Parker. Indeed, unlike most jazz biographers, Santoro examines Mingus's etra-musical influences - from Orson Welles to Langston Hughes, Farwell Taylor, and Timothy Leary - and illuminates his achievement in the broader cultural context it demands. Written in a lively, novelistic style, "Myself When I Am Real" draws on dozens of new interviews and previously untapped letters and archival materials to explore the intricate connections between this extraordinary man and the extraordinary music he made.Jazz musiciansUnited StatesBiographyJazz musicians781.65092Santoro Gene1834985MiAaPQMiAaPQMiAaPQBOOK9910961401003321Myself when I am real4410672UNINA