04813nam 2201189Ia 450 991079005380332120230207214209.00-520-94794-010.1525/9780520947948(CKB)2670000000086571(EBL)579796(OCoLC)727647363(SSID)ssj0000559024(PQKBManifestationID)11352090(PQKBTitleCode)TC0000559024(PQKBWorkID)10566298(PQKB)10908789(StDuBDS)EDZ0000055887(MiAaPQ)EBC579796(OCoLC)762296404(MdBmJHUP)muse30876(DE-B1597)520636(DE-B1597)9780520947948(Au-PeEL)EBL579796(CaPaEBR)ebr10675813(EXLCZ)99267000000008657120100212d2010 ub 0engurnn#---|u||utxtccrArchaeologies of colonialism[electronic resource] consumption, entanglement, and violence in ancient Mediterranean France /Michael DietlerBerkeley University of California Pressc20101 online resource (477 p.)Joan Palevsky imprint in classical literatureDescription based upon print version of record.0-520-28757-6 0-520-26551-3 Includes bibliographical references and index.Front matter --Contents --Acknowledgments --1. The Cup of Gyptis: Introduction to a Colonial Encounter --2. Archaeologies of Colonialism --3. Consumption, Entanglement, and Colonialism --4. Social, Cultural, and Political Landscapes --5. Trade and Traders --6. A History of Violence --7. Culinary Encounters --8. Constructed Spaces: Landscapes of Everyday Life and Ritual --9. Conclusion and Imperial Epilogue --Notes --References --IndexThis book presents a theoretically informed, up-to-date study of interactions between indigenous peoples of Mediterranean France and Etruscan, Greek, and Roman colonists during the first millennium BC. Analyzing archaeological data and ancient texts, Michael Dietler explores these colonial encounters over six centuries, focusing on material culture, urban landscapes, economic practices, and forms of violence. He shows how selective consumption linked native societies and colonists and created transformative relationships for each. Archaeologies of Colonialism also examines the role these ancient encounters played in the formation of modern European identity, colonial ideology, and practices, enumerating the problems for archaeologists attempting to re-examine these past societies.Joan Palevsky imprint in classical literature.Social archaeologyGaulColonizationSocial aspectsGaulHistoryAcculturationGaulHistoryConsumption (Economics)GaulHistoryViolenceGaulHistoryGaulColonizationGaulEthnic relationsGaulAntiquitiesFranceAntiquitiesMediterranean RegionAntiquitiesancient history.ancient world.archaeology.bioarchaeology.colonial economics.colonial encounters.colonial ideology.colonialism.colonists.constructed spaces.consumption.economics.etruscan.european identity.food studies.gastronomy.government control.greece.greek history.history.imperialism.indigenous culture.indigenous peoples.iron age.material culture.mediterranean france.mediterranean trade.nonfiction.post colonialism.roman colonists.roman history.rome.space theory.urban landscapes.violence.Social archaeologyColonizationSocial aspectsHistory.AcculturationHistory.Consumption (Economics)History.ViolenceHistory.909/.09822Dietler Michael446541MiAaPQMiAaPQMiAaPQBOOK9910790053803321Archaeologies of colonialism97167UNINA04996nam 22006615 450 991098469300332120250301115238.09783031722943(electronic bk.)978303172293610.1007/978-3-031-72294-3(MiAaPQ)EBC31928886(Au-PeEL)EBL31928886(CKB)37744250500041(OCoLC)1504735888(DE-He213)978-3-031-72294-3(EXLCZ)993774425050004120250301d2025 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierAlgerian Cinema in Forty Five Lessons Art, Politics and Social Change /by Ahmed Bedjaoui1st ed. 2025.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2025.1 online resource (210 pages)Palgrave Studies in Arab Cinema,2731-4901Print version: Bedjaoui, Ahmed Algerian Cinema in Forty Five Lessons Cham : Palgrave Macmillan,c2025 9783031722936 Foreword by Nabil Boudraa.-Introduction: A Revised Concept of Algerian Cinema.-Chapter 1. The Premises.-Chapter 2. The first steps of a young nation.-Chapter 3. An early golden age.-Chapter 4. A new generation and new concerns.-Chapter 5. Derision and laughter.-Chapter 6. International recognition.-Chapter 7. Rural and social protest.-Chapter 8. Assia Djebar - Pioneer of a women's cinema.-Chapter 9. Childhood in Algerian cinema.-Chapter 10. The best of TV production.-Chapter 11. Yamina, Yasmine and Mohamed Chouikh: a family dedicated to the film industry -- Chapter 12. Films speak Tamazight.-Chapter 13. Teguia, the outsider -- Chapter 14. A new vision of the Algerian war -- Chapter 15. Documentaries as a mirror of Algerian reality.-Chapter 16. Women’s voices versus fundamentalism -- Chapter 17. Post fundamentalism trauma.-Chapter 18. Back to ancient history.-Chapter 19. New tendencies and the young Algerian cinema.-Conclusion: Challenges of an uncertain future.-.Algerian Cinema in Forty Five Lessons offers a fresh approach to examine the history of Algerian cinema, from its inception to the present day, providing in-depth analysis of forty five key films. While most scholarly and critical work on Algerian cinema continues to centre on the War of Independence and those films engaging with it, Dr Ahmed Bedjaoui argues that this thematic dominance has overshadowed many other important aspects of Algerian film history. Further, Bedjaoui examines how "revolutionary" films have frequently depicted an idealized image of a heroic, flawless and fearless figure which has been strategically crafted to legitimize national authority at different points in time. This book offers a new reading, which involves rehabilitating some major but underestimated works, as well as questioning other films primarily known for their contribution to the Algerian national story. Among the works studied, certain productions offer a less Manichean vision of the War of Independence, while explaining the process that led to it. Above all, Bedjaoui strives to bring out of the shadows films of great artistic value (sometimes produced by state television), and compares the productions of the so-called golden age (1960s and 1970s) with the films made by the following generations, in terms of both creativity and capacity to reflect the specificity of Algerian society. Through a contextualization of forty specific films, this book provides a deep analysis of the changes which occurred in the heart of Algerian society, moving from an all-socialist to an all-protectionist state, before being later threatened by religious fundamentalism. Engaging and accessibly written, and including coverage of many films never written about in English-language histories of Algerian cinema, this book is an essential resource for understanding this dynamic and vital film culture.Palgrave Studies in Arab Cinema,2731-4901Motion picturesHistoryMotion picturesMiddle EastHistoryEthnologyMiddle EastCultureFilm and TV HistoryGlobal Film and TVHistory of the Middle EastMiddle Eastern CultureMotion picturesHistory.Motion pictures.Middle EastHistory.EthnologyCulture.Film and TV History.Global Film and TV.History of the Middle East.Middle Eastern Culture.791.409Bedjaoui Ahmed988270Boudraa Nabil1790128MiAaPQMiAaPQMiAaPQ9910984693003321Algerian Cinema in Forty Five Lessons4326229UNINA