02798nam 2200601 a 450 991078986950332120230725030824.01-4529-4586-10-8166-7652-6(CKB)2670000000078063(EBL)678655(OCoLC)712015730(SSID)ssj0000472617(PQKBManifestationID)11325179(PQKBTitleCode)TC0000472617(PQKBWorkID)10435706(PQKB)11497450(StDuBDS)EDZ0001170719(MiAaPQ)EBC678655(MdBmJHUP)muse29856(Au-PeEL)EBL678655(CaPaEBR)ebr10461003(CaONFJC)MIL525850(EXLCZ)99267000000007806320100805d2011 uy 0engur|n|---|||||txtccrRecording reality, desiring the real[electronic resource] /Elizabeth CowieMinneapolis [Minn.] University of Minnesota Press20111 online resource (231 p.)Visible evidence ;v. 24Description based upon print version of record.0-8166-4549-3 0-8166-4548-5 Includes bibliographical references and index.Introduction : the spectacle of actuality and the desire for reality -- Narrating the real : the fiction and the non-fiction of documentary storytelling -- Working images : representing work and voicing the ordinary -- Documentary desire : seeing for ourselves and identifying in reality -- Documenting the real -- Ways of seeing and the surreal of reality -- Specters of the real : documentary time and art.Documentary has once again emerged as one of the most vital cultural forms, whether seen in cinemas or inside the home, as digital, film, or video. In Recording Reality, Desiring the Real, Elizabeth Cowie looks at the history of documentary and its contemporary forms, showing how it has been simultaneously understood as factual, as story, as art, and as political, addressing the seeming paradox between the pleasures of spectacle in the documentary and its project of informing and educating. Cowie claims that, as a radical film form, documentary has been a way for filmmakers to acknowledge histVisible evidence ;v. 24.Documentary filmsHistory and criticismDocumentary filmsHistory and criticism.070.1/824.34bclCowie Elizabeth1482941MiAaPQMiAaPQMiAaPQBOOK9910789869503321Recording reality, desiring the real3700899UNINA