03829nam 2200685 450 991045632560332120200520144314.01-281-99438-397866119943891-4426-7647-710.3138/9781442676473(CKB)2430000000001870(EBL)4671654(SSID)ssj0000300946(PQKBManifestationID)11947503(PQKBTitleCode)TC0000300946(PQKBWorkID)10259911(PQKB)10264954(CaBNvSL)thg00600961 (MiAaPQ)EBC3255247(MiAaPQ)EBC4671654(DE-B1597)464590(OCoLC)1002222714(OCoLC)944178077(OCoLC)999373812(DE-B1597)9781442676473(Au-PeEL)EBL4671654(CaPaEBR)ebr11257358(OCoLC)958562618(EXLCZ)99243000000000187020160913h20032003 uy 0engur|n|---|||||txtccrJustin and Pompeius Trogus a study of the language of Justin's Epitome of Trogus /J.C. Yardley2nd ed.Toronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2003.©20031 online resource (306 p.)Phoenix Supplementary Volumes ;Volume 41includes indexes.0-8020-8766-3 Frontmatter -- Contents -- Preface -- Abbreviations -- Introduction -- Part One. Pompeius Trogus -- 1. Trogus, Sallust, and Caesar -- 2. Trogus and Livy -- 3. Trogus (and Justin) and Cicero -- 4. Other Possible Trogan Usages -- Part Two. Justin -- 5. 'Justinisms' in Justin -- 6. Justin and Pseudo-Quintilian -- 7. Poetic Elements in the Epitome -- 8. Trogus, Justin, and the Law -- Index Rerum Et Nominum Notabiliorum -- Index Justinianus -- Index Aliorum Locorum -- BackmatterAround 200AD, Marcus Junianus Justinus produced an abridged or 'epitomized' version of the Philippic Histories of the Augustan historian Pompeius Trogus. In doing so, he omitted all he did not find either intrinsically interesting or of use for historical examples. Over the centuries that followed, the abridgement eclipsed the original work in popularity, to the extent that Trogus' original work vanished and only Justin's version survived. In this investigation of the language of the Epitome, the first in almost a century, J.C. Yardley examines the work to establish how much of the text belongs to Trogus, and how much to Justin. His study compares words and expressions used in the Epitome with the usage of other Roman authors, and establishes areas where diction is similar to Augustan-era Latin and less in use in Justin's time. Yardley's extensive analysis reveals that there is more of Justin in the work than is often supposed, which may have implications for the historical credibility of the document. Yardley also demonstrates how much Trogus was influenced by his contemporary Livy as well as other Roman authors such as Sallust and Caesar, and how the Epitome reveals the influence of Roman poetry, especially the work of Virgil. Phoenix. Supplementary volume ;Volume 41.Latin languageUsageGreeceHistoryMacedonian Expansion, 359-323 B.CHistoriographyElectronic books.Latin languageUsage.938.070922Yardley John1942-698242MiAaPQMiAaPQMiAaPQBOOK9910456325603321Justin and Pompeius Trogus2486052UNINA03950nam 2200625 a 450 991078981880332120231212212649.094-6166-004-9(CKB)2670000000079790(EBL)1762960(SSID)ssj0000539345(PQKBManifestationID)11360950(PQKBTitleCode)TC0000539345(PQKBWorkID)10568631(PQKB)10249750(MiAaPQ)EBC1762960(OCoLC)715171783(MdBmJHUP)muse29503(Au-PeEL)EBL1762960(CaPaEBR)ebr10452823(OCoLC)887504154(EXLCZ)99267000000007979020090513d2009 uy 0engurun|---|||||txtrdacontentcrdamediacrrdacarrierMusical form, forms & formenlehre[electronic resource] three methodological reflections /William E. Caplin, James Hepokoski, James Webster ; edited by Pieter BergéLeuven Leuven University Press[c2009]1 online resource (180 p.)Studies in Musical Form"The present volume arose from a symposium on Formenlehre that took place at the 6th European Music Analysis Conference (EuroMAC) in Freiburg, Germany, October 10-14, 2007"--Pref.90-5867-822-9 Includes bibliographical references (p. 171-175).Preface / Ludwig Holtmeier -- Prologue: Considering musical form, forms and formenlehre / Pieter Bergé -- Part I. William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin.Part II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski.Part III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Bergé -- Bibliography -- About the authors.The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net against a passing shot (with Caplin, the ace is for formal function; with Hepokoski for Sonata Theory and dialogic form; with Webster for multivalent analysis). But we can trust that this provocative exchange will thoroughly invigorate discussions about classical form and encourage diverse approaches to its analysStudies in Musical FormMusical formMusical form.781.8Caplin William Earl1948-781762Hepokoski James A(James Arnold),1946-764242Webster James1942-669921Bergé Pieter1141912European Conference of Music Analysis(6th :2007 :Freiburg, Germany).MiAaPQMiAaPQMiAaPQBOOK9910789818803321Musical form, forms & formenlehre3684549UNINA