02276nam 2200577 a 450 991078980360332120230725030958.00-674-05929-810.4159/9780674059290(CKB)2670000000081277(OCoLC)733323316(CaPaEBR)ebrary10456086(SSID)ssj0000488267(PQKBManifestationID)12223456(PQKBTitleCode)TC0000488267(PQKBWorkID)10450344(PQKB)11415373(MiAaPQ)EBC3300918(Au-PeEL)EBL3300918(CaPaEBR)ebr10456086(DE-B1597)583427(DE-B1597)9780674059290(OCoLC)1301547427(EXLCZ)99267000000008127720100312d2010 uy 0engurcn|||||||||txtccrWagner and the erotic impulse[electronic resource] /Laurence DreyfusCambridge, Mass. Harvard University Press20101 online resource (285 p.) Bibliographic Level Mode of Issuance: Monograph0-674-01881-8 Includes bibliographical references and index.Frontmatter -- CONTENTS -- Preface -- Abbreviations -- 1. Echoes -- 2. Intentions -- 3. Harmonies -- 4. Pathologies -- 5. Homoerotics -- Epilogue -- Appendix: Musical Examples -- Notes -- IndexThough his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813–1883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner’s obsession with sexuality prefigured the composition of operas such as Tannhäuser, Die Walküre, Tristan und Isolde, and Parsifal.Opera19th centurySex in operaOperaSex in opera.782.1092Dreyfus Laurence1952-791408MiAaPQMiAaPQMiAaPQBOOK9910789803603321Wagner and the erotic impulse3692371UNINA