02244nam 2200517 a 450 991078979660332120230422031651.01-283-20552-197866132055201-4411-3498-0(CKB)2670000000106789(EBL)742798(OCoLC)741691520(MiAaPQ)EBC742798(Au-PeEL)EBL742798(CaPaEBR)ebr10488156(CaONFJC)MIL320552(OCoLC)893335742(EXLCZ)99267000000010678919991221d2000 uy 0engur|n|---|||||Women in British cinema[electronic resource] mad, bad and dangerous to know /Sue HarperLondon ;New York Continuum20001 online resource (278 p.)Rethinking British cinemaDescription based upon print version of record.0-8264-4732-5 0-8264-4733-3 Includes bibliographical references (p. 237-242) and indexes.pt. 1. Mainstream representations -- pt. 2. Women's work.This book takes a broad perspective and analyses the ways in which the British film industry has dealt with women and their creativity from 1930 to the present. The first part of the book deals comprehensively with different historical periods in British film culture, showing how the 'agency' of production company, director, distribution company or scriptwriter can bring about new patterns of female stereotyping. The second part looks at the input of women workers into the film process. It assesses the work of women in a variety of roles: directors such as Wendy Toye and Sally Potter, producerRethinking British cinema.Women in the motion picture industryGreat BritainWomen in motion picturesWomen in the motion picture industryWomen in motion pictures.384/.8/0820941Harper Sue1535126MiAaPQMiAaPQMiAaPQBOOK9910789796603321Women in British cinema3847715UNINA