02501nam 2200601 a 450 991078967800332120230422031650.01-283-19371-X97866131937110-567-15198-0(CKB)2670000000106734(EBL)742743(OCoLC)741691717(SSID)ssj0000520985(PQKBManifestationID)12186539(PQKBTitleCode)TC0000520985(PQKBWorkID)10517592(PQKB)11530181(MiAaPQ)EBC742743(Au-PeEL)EBL742743(CaPaEBR)ebr10490305(CaONFJC)MIL319371(OCoLC)893335665(EXLCZ)99267000000010673419991216d2000 uy 0engur|n|---|||||txtccrArt, power and modernity[electronic resource] English art institutions, 1750-1950 /Gordon FyfeLondon ;New York Leicester University Press20001 online resource (223 p.)Contemporary issues in museum cultureDescription based upon print version of record.0-7185-0111-X Includes bibliographical references (p. [183]-198) and index.CONTENTS; Plates; Figures; Preface and acknowledgements; Bibliography; IndexHwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury.Contemporary issues in museum culture.Art and societyEnglandLondonHistoryArt, EnglishEnglandLondonArt and societyHistory.Art, English306.4/7/0942Fyfe Gordon144420MiAaPQMiAaPQMiAaPQBOOK9910789678003321Art, power and modernity3704407UNINA