02422nam 2200577Ia 450 991078910060332120230713041941.01-282-77640-197866127764031-4438-2168-3(CKB)3390000000009215(EBL)1114386(OCoLC)827209278(SSID)ssj0000475410(PQKBManifestationID)12131019(PQKBTitleCode)TC0000475410(PQKBWorkID)10463693(PQKB)11754524(Au-PeEL)EBL1114386(CaPaEBR)ebr10652815(CaONFJC)MIL277640(FINmELB)ELB144584(MiAaPQ)EBC1114386(EXLCZ)99339000000000921520100927d2010 uy 0engur|n|---|||||txtccrOpera-comique[electronic resource] a sourcebook /Robert Ignatius LetellierNewcastle-upon-Tyne Cambridge Scholars20101 online resource (881 p.)Description based upon print version of record.Print version: Letellier, Robert Ignatius. Opera-comique : a sourcebook. Newcastle-upon-Tyne : Cambridge Scholars, 2010. (OCoLC)636921467 1-4438-2140-3 Includes bibliographical references (p. xxii-xxiii) and indexes.TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; A CHRONOLOGY OF THE OPÉRA-COMIQUE; COMPOSERS AND THEIR WORKS AT THE OPÉRA-COMIQUE; INDEXOpéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en...Opéra comiqueOperaFranceOpéra comique.Opera782.1Letellier Robert Ignatius679460MiAaPQMiAaPQMiAaPQBOOK9910789100603321Opera-comique3808466UNINA